Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Xul Solar, Alejandro (1887-1963) Title A name given to the resource Yo, el 80 Creator An entity primarily responsible for making the resource Xul Solar, Alejandro, 1887-1963 Date Created Date of creation of the resource. 1923 Description An account of the resource Yo, el 80, 1923 Acuarela, gouache y tinta sobre papel sobre cartulina 15,5 x 19,8 cm, montaje 22 x 25,2 cm Identifier An unambiguous reference to the resource within a given context AXS_02006 Audience Education Level A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended. Número de catálogo razonado: 0605 Type The nature or genre of the resource pinturas Format The file format, physical medium, or dimensions of the resource pintura Medium The material or physical carrier of the resource. pintura Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Firma e inscripciones i.d. “Xul 1923” Inscripciones de terceros Sin información Documentación MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista diap. del Museo de Bellas Artes (Svanascini) [1963]”; y papeles sueltos [01-05]: papeles sueltos, n. [03]. MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos Aires], 1963-1984: p. 44, 54, 57. MCSS, [Diapositivas y movimientos de obras], [Buenos Aires], 1964-1983: [Ventas a coleccionistas], p. 6. Registro fotográfico histórico Diapositivas de obras realizadas por encargo de MCSS, 1967, cajas I-III y V: caja III, n. [76] [fuera de listado]. Exposiciones El Anti-Rinoceronte: periódico Martín Fierro: las primeras vanguardias, Buenos Aires, Galería Ruth Benzacar, octubre-noviembre de 1983, n. 50, reprod. byn. 20 obras maestras: arte argentino del siglo XX, Buenos Aires, Museo Nacional de Arte Decorativo, marzoabril de 1996, reprod. p. 69. A Coleção Costantini no Museu de Arte Moderna de São Paulo, San Pablo, Museu de Arte Moderna de São Paulo, 1998, reprod. p. 111. A Coleção Costantini no Museu de Arte Moderna do Rio de Janeiro, Rio de Janeiro, Museu de Arte Moderna do Rio de Janeiro, 1998, reprod. p. 155. Claves del arte latinoamericano: Colección Costantini, Madrid, Fundación La Caixa, 1999, reprod. p. 143. Paul Klee invita a Xul Solar en el Museo Nacional de Bellas Artes, Buenos Aires, Museo Nacional de Bellas Artes, 1999, reprod. p. 19. Xul Solar, Madrid, Museo Nacional Centro de Arte Reina Sofía, del 26 de febrero al 13 de mayo de 2002, n. 38, reprod. p.110. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. ARTINF, “Martín Fierro, la vanguardia presente”, Artinf, Buenos Aires, a. 7, n. 42, julio-agosto de 1983, reprod. byn, p. 16. GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos Aires, Alba / Bunge y Born, 1994, n. 66, reprod. p. 83. GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos Aires, Alba / Bunge y Born; Nueva York, Harry N. Abrams, Inc., Publishers, 1996, n. 66, reprod. p. 83. ARTUNDO, Patricia M., “Yo, el 80” en: PACHECO, Marcelo E. (ed.), Obras Malba - Colección Costantini, Buenos Aires, Malba - Colección Costantini, 2001, p. 94- 95, reprod. p. 95. SHA [Silvia H. de Ambrosini], “Noticias de allá: Centro de Arte Reina Sofía”, Artinf, Buenos Aires, a. 27, n. 114, 2002, reprod. byn, p. 12. LÓPEZ ANAYA, Jorge, Xul Solar: una utopía espiritualista, Buenos Aires, Fundación Pan Klub - Museo Xul Solar, 2002, reprod. p. 95. LÓPEZ ANAYA, Jorge, Xul Solar: A Spiritualistic Utopia, Buenos Aires, Pan Klub Foundation - Museo Xul Solar, 2002, p. 95. PACHECO, Marcelo E., “De las primeras vanguardias al informalismo” en: Marcelo E. Pacheco, Doscientos años de pintura argentina, Buenos Aires, Banco Hipotecario, vol. n. 2, p. 9-43, 2014, reprod. p. 79. Is Part Of A related resource in which the described resource is physically or logically included. Malba - Fundación Costantini, Buenos Aires Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Fundación Pan Klub - Museo Xul Solar