http://www.xulsolar.org.ar/archivo/files/original/60f3a44edcad2b3ff8745df29ca3dc2a.tif f4aeca533abaefdde59b8e32e1a4bb80 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Xul Solar, Alejandro (1887-1963) Title A name given to the resource Sin título Creator An entity primarily responsible for making the resource Xul Solar, Alejandro, 1887-1963 Date Created Date of creation of the resource. ca. 1919 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Pliente; Ascención Description An account of the resource Sin título, ca. 1919 Acuarela y gouache sobre papel montado sobre cartulina 15,7 x 12 cm Identifier An unambiguous reference to the resource within a given context AXS_01685 Audience Education Level A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended. Número de catálogo razonado: 0283 Type The nature or genre of the resource pinturas Format The file format, physical medium, or dimensions of the resource pintura Medium The material or physical carrier of the resource. pintura Is Part Of A related resource in which the described resource is physically or logically included. [Colección particular, Buenos Aires] Rights Holder A person or organization owning or managing rights over the resource. Fundación Pan Klub - Museo Xul Solar Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Firma e inscripciones a.i.i. “X.” Inscripciones de terceros Sin información Registro fotográfico histórico Diapositivas de obras realizadas por encargo de MCSS, 1967, cajas I-III y V: caja III, n. [143] [fuera de listado]. Subastas Latin American Sale, Christie’s, Nueva York, 26 y 27 de mayo, 2010, lote 224, reprod. 250. Latin America, Phillips, Nueva York, 21 de noviembre, 2013, lote 81. Observaciones Al salir a subasta en 2010 se indicó que la obra poseía un certificado de autenticidad firmado por Natalio Povarché, esto es, una etiqueta pegada “Certificado de autenticidad”, de Galería Rubbers.