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                <text>Inscripciones de terceros&#13;
En el reverso, sobre la cartulina: “86”&#13;
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Documentación&#13;
Inv. FPK: “445 -″- - 12 x 12”.</text>
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Acuarela sobre papel montado sobre cartulina&#13;
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Sin información&#13;
Documentación&#13;
Inv. FPK: “449 Qiero subir - - 10 x 10”.</text>
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Acuarela y gouache sobre papel montado sobre cartulina&#13;
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a.i.i. “X.”&#13;
Inscripciones de terceros&#13;
En el reverso, sobre la cartulina: “Oh&#13;
ave pluvia 12 x 12 cart 19 x 16” [anónimo];&#13;
“446” [MRC].&#13;
Documentación&#13;
MCSS, [Listado diapositivas Caja I, II,&#13;
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n. 31.&#13;
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Acuarela sobre papel montado sobre cartulina&#13;
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En el reverso, sobre la cartulina: “83”&#13;
[MCSS]; “442” [MRC]; “obra 12 x 12”&#13;
[anónimo].&#13;
Documentación&#13;
Inv. FPK: “442 -″- - 12 x 12”.</text>
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En el reverso: “BICHO T. 19” [anónimo];&#13;
“687” [anónimo]; “1267” [anónimo].&#13;
Documentación&#13;
Inv. FPK: “1267 Bicho 1919 témpera&#13;
12 x 12”.</text>
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“1.413” [MRC]; “BENEFICENZA A 16 x&#13;
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En el frente, sobre la cartulina: i.d. “Worshipped face/&#13;
Shul Solar”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
Inv. FPK: “1174 Worshipped fase [sic] 1918 -″- 12 x 12 ”.&#13;
Exposiciones&#13;
Alejandro Xul Solar (1887-1963), New York, Rachel Adler&#13;
Gallery, 2 de mayo - 8 de junio de 1991, n. 1, reprod. s.p.&#13;
Artistas modernos rioplatenses en Europa 1911 /1924.&#13;
La experiencia de la vanguardia, Buenos Aires, Malba&#13;
- Colección Costantini, 17 de octubre de 2002 al 27 de&#13;
enero de 2003, n. 81, reprod. p. 71.&#13;
Observaciones&#13;
Para la problemática que plantea esta obra en cuanto&#13;
a su datación, véase el texto de Artundo citado en la&#13;
Bibliografía.</text>
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                <text>GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos Aires, Alba / Bunge y Born, 1994, n. 14, reprod. p. 37.&#13;
GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos Aires, Alba / Bunge y Born; Nueva York, Harry N. Abrams, Inc., Publishers, 1996, n. 14, reprod. p. 37.&#13;
CRISTIÁ, Cintia, Xul Solar, un músico visual: la música en su vida y obra, Buenos Aires, Gourmet Musical Ediciones, 2007, p. 40.&#13;
LÓPEZ ANAYA, Jorge, Xul Solar: una utopía espiritualista, Buenos Aires, Fundación Pan Klub - Museo Xul Solar, 2002, n. 11, reprod p. 43.&#13;
LÓPEZ ANAYA, Jorge, Xul Solar: A Spiritualistic Utopia, Buenos Aires, Fundación Pan Klub Foundation - Museo Xul Solar, 2002, n. 11, reprod p. 43.&#13;
Exposiciones&#13;
Alejandro Xul Solar (1887-1963), New York, Rachel Adler Gallery, 2 de mayo - 8 de junio de 1991, n. 1, reprod. s.p.&#13;
Artistas modernos rioplatenses en Europa 1911 /1924. La experiencia de la vanguardia, Buenos Aires, Malba - Colección Costantini, 17 de octubre de 2002 al 27 de enero de 2003, n. 81, reprod. p. 71.</text>
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montado sobre cartulina&#13;
25 x 21 cm</text>
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Sun/ Le Soleil blessé/ Shul-Solar”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Registro fotográfico histórico&#13;
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copia de época, gelatina de plata, 7,8 x 8,2 cm, copias&#13;
de época, (FIAC, 1978), FO-24/1 a 63, n. 16, AD-FPK.&#13;
Edgardo Cristiano, reproducción de The Wounded&#13;
Sun, 1977, copia de época, gelatina de plata, 10,3 x&#13;
8,5 cm, Copias de época certificadas 2ª parte (París,&#13;
1977), FO-30/1 a 19, n. 5, AD-FPK.&#13;
Exposiciones&#13;
Xul Solar 1887-1963, París, Musée d’Art Moderne de&#13;
la Ville de Paris, 20 de octubre-27 de noviembre de&#13;
1977, n. 3.&#13;
Xul Solar: obras 1919/1962, Buenos Aires, Galería&#13;
Rubbers, 1978, n. 3, reprod. byn.&#13;
I Bienal Latino Americana de São Paulo, Parque Ibirapuera,&#13;
noviembre-diciembre, 1978.&#13;
Xul Solar: A Collector’s Vision, Nueva York, Rachel Adler&#13;
Gallery, 1° de mayo - 30 de junio de 1993, n. 2.&#13;
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                <text>MARTÍNEZ QUIJANO, Ana, “Xul Solar, el mago blanco del arte”, First, Buenos Aires, a. 7, n. 81, junio, 1993, p. 28-37, reprod. p. 31.&#13;
GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos Aires, Alba / Bunge y Born, 1994, n. 13, reprod. p. 36.&#13;
GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos Aires, Alba / Bunge y Born; Nueva York, Harry N. Abrams, Inc., Publishers, 1996, n. 13, reprod. p. 36.&#13;
CRISTIÁ, Cintia, Xul Solar, un músico visual: la música en su vida y obra, Buenos Aires, Gourmet Musical Ediciones, 2007, p. 40.</text>
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            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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              <elementText elementTextId="46490">
                <text>Il sole ferito</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="46491">
                <text>Sol herido, ca. 1919-1920&#13;
Acuarela y gouache sobre papel&#13;
montado sobre cartulina&#13;
21 x 25 cm</text>
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            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="46492">
                <text>AXS_01733</text>
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            </elementTextContainer>
          </element>
          <element elementId="87">
            <name>Audience Education Level</name>
            <description>A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended.</description>
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              <elementText elementTextId="46493">
                <text>Número de catálogo razonado: 0331</text>
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          <element elementId="51">
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              <elementText elementTextId="46494">
                <text>pinturas</text>
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            </elementTextContainer>
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          <element elementId="42">
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          <element elementId="79">
            <name>Medium</name>
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            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
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              <elementText elementTextId="46497">
                <text>Firma e inscripciones&#13;
a.i.i. “XUL”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista&#13;
diap. del Museo de Bellas Artes (Svanascini) [1963]”; y&#13;
papeles sueltos [01-05]: listado III, n. 15.&#13;
MCSS, [Exposiciones 1920-1951, detalle de carpetas&#13;
de obras, gastos 1949, cuadros existentes], [Buenos&#13;
Aires], 1949-1966: p. 201.&#13;
MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
Aires], 1963-1984: p. 46, 48, 58 y 62.&#13;
Registro fotográfico histórico&#13;
Diapositivas de obras realizadas por encargo de MCSS,&#13;
1967, cajas I-III y V: caja III, n. 15.&#13;
Exposiciones&#13;
Settima Esposizione. Mostra Personale dello Scultore&#13;
Arturo Martini e del Pittore Alessandro Xul Solari, Galleria&#13;
Arte, Milán, 27 de noviembre - 16 de diciembre&#13;
de 1920, n. 34 [Il sole ferito].&#13;
Subastas&#13;
Latin American Art, Sotheby´s, Nueva York, 16 de noviembre&#13;
de 2011, lote 111, reprod.</text>
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              <elementText elementTextId="46498">
                <text>MARTÍNEZ QUIJANO, Ana, “Xul Solar, el mago blanco del arte”, First, Buenos Aires, a. 7, n. 81, junio, 1993, p. 28-37, reprod. p. 31.&#13;
BORGES, Jorge Luis, “Recuerdos de mi amigo Xul Solar”, Arte y Parte. Revista de Arte España, Portugal e Iberoamérica, Santander, España, n. 37, febrero-marzo, 2002, p. 42-56, reprod. p. 43.&#13;
Exposiciones&#13;
Settima Esposizione. Mostra Personale dello Scultore&#13;
Arturo Martini e del Pittore Alessandro Xul Solari, Galleria&#13;
Arte, Milán, 27 de noviembre - 16 de diciembre&#13;
de 1920, n. 34 [Il sole ferito].&#13;
Subastas&#13;
Latin American Art, Sotheby´s, Nueva York, 16 de noviembre&#13;
de 2011, lote 111, reprod.</text>
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          </element>
          <element elementId="70">
            <name>Is Part Of</name>
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            <elementTextContainer>
              <elementText elementTextId="46499">
                <text>Colección particular, Buenos Aires</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="91">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="46500">
                <text>Fundación Pan Klub - Museo Xul Solar</text>
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                <text>Xul Solar, Alejandro (1887-1963)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="46471">
                <text>Man-tree</text>
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          <element elementId="39">
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                <text>Xul Solar, Alejandro, 1887-1963</text>
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          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="46473">
                <text>ca. 1919-1920</text>
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          </element>
          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="46474">
                <text>Androdendro</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="46475">
                <text>Man-tree, ca. 1919-1920&#13;
Acuarela sobre papel montado sobre cartulina&#13;
22,2 x 12,6 cm, montaje 33 x 18 cm</text>
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          <element elementId="43">
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            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="46476">
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                <text>Número de catálogo razonado: 0330</text>
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          <element elementId="51">
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            <description>The nature or genre of the resource</description>
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          <element elementId="71">
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            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
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              <elementText elementTextId="46481">
                <text>Firma e inscripciones&#13;
En el frente, sobre la cartulina: a.i.d. “Man-tree/&#13;
Schul Solar”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Obras relacionadas&#13;
Sin título, (Cat. 53); Sin título, (Cat. 1529)&#13;
Documentación&#13;
Inv. FPK: “1.100 Man-tree 1920 acuarela 21 x 12”.&#13;
Exposiciones&#13;
Settima Esposizione. Mostra Personale dello Scultore&#13;
Arturo Martini e del Pittore Alessandro Xul Solari, Galleria&#13;
Arte, Milán, 27 de noviembre - 16 de diciembre&#13;
de 1920, n. 18.&#13;
Alejandro Xul Solar (1887-1963), Maldonado, Uruguay,&#13;
Museo de Arte Americano de Maldonado, 20 de enero -&#13;
3 de febrero de 1990, n. 2.&#13;
Xul Solar: the Architectures, Londres, Courtauld Institute&#13;
Galleries, 1994, reprod. byn p. 52 [obra no expuesta].&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes,&#13;
septiembre de 1998.&#13;
Notas&#13;
Man-tree es una de las cinco obras – Army (Cat. 328);&#13;
Worshipped Face (Cat. 333); The wounded sun (Cat.&#13;
332); Sol herido (Cat. 331) y Angels (Cat. 329)– que&#13;
presentan una misma particularidad. El papel está&#13;
montado sobre una cartulina sobre la cual el artista&#13;
inscribió el título y su firma. En todos los casos el título&#13;
está escrito en inglés –The wounded sun lo suma&#13;
también en francés–, lo que hace pensar que el pintor&#13;
estaba dirigiéndose a un público anglosajón. Esto lleva&#13;
la datación de la obra al período de su residencia&#13;
en Londres (noviembre 1919 - mayo 1920). Asimismo,&#13;
aun cuando su iconografía nos lleva a obras como Sin&#13;
título (Cat. 53), que se sitúa hacia 1917-1918, la inscripción&#13;
en la pintura “Androdendro” –el prefijo “andro”,&#13;
hombre, al que aparece sumado el sufijo “dendro”,&#13;
derivado de la palabra griega dendron, δένδρον,&#13;
indica hombre-árbol– también nos conduce a una fecha&#13;
posterior a aquella de 1916 con que aparece en&#13;
Xul Solar. Colección de obras del museo (1990) ya que&#13;
en 1916 Xul todavía no había incorporado la escritura&#13;
dentro del espacio de la pintura. Asimismo, la variación&#13;
en su firma –“Schul Solar”–, indica que debe situarse&#13;
antes de noviembre de 1920 cuando él adoptó&#13;
la forma definitiva para su nombre, “Xul”. Véase Notas&#13;
a Dos anjos, (Cat. 42).&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
Exposiciones&#13;
Settima Esposizione. Mostra Personale dello Scultore Arturo Martini e del Pittore Alessandro Xul Solari, Galleria Arte, Milán, 27 de noviembre - 16 de diciembre de 1920, n. 18.&#13;
Museo de Arte Americano de Maldonado, Maldonado, Uruguay, 20 de enero al 3 de febrero, 1990, n. 2.&#13;
Xul Solar: the Architectures, Londres, Courtauld Institute Galleries, 1994, reprod. byn p. 52 [obra no expuesta].&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes, septiembre de 1998.&#13;
Documentación de la obra&#13;
Inv. FPK: "1100 Man-tree 1920 acuarela 21 x 12".&#13;
Firma e inscripciones&#13;
”</text>
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            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="46482">
                <text>GRADOWCZYK, Mario H., Alejandro Xul Solar (1887-1963), Buenos Aires, Ediciones Anzilotti/Galería Kramer, 1988, reprod. p. 6.&#13;
Xul Solar. Colección de obras del museo, Buenos Aires, Fundación Pan Klub - Museo Xul Solar, 1990, reprod. p 16.&#13;
Xul Solar. Collection of the Art Works in the Museum, Buenos Aires, Pan Klub Foundation - Xul Solar Museum, 1990, reprod. p 16.&#13;
GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos Aires, Alba/Bunge y Born, 1994, n. 10, reprod. p. 33.&#13;
GREEN, Christopher  (ed.), Xul Solar: the Architectures, Londres, Courtauld Institute Galleries, 1994, reprod. byn. p. 52.&#13;
GRADOWCZYK, Mario H., “Xul”, Plaza Mayor, Buenos Aires, n. 34, ca. 1994, p. 56-65, reprod. p. 59.&#13;
GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos Aires, Alba / Bunge y Born; Nueva York, Harry N. Abrams, Inc., Publishers, 1996, n. 10, reprod. p. 33.&#13;
GUTIÉRREZ ZALDÍVAR, Ignacio, El arte de los argentinos: Xul Solar, Buenos Aires, Atlántida, 2009, reprod. p. 17.&#13;
A.A.V.V., Xul Solar, Buenos Aires, Fundación Pan Klub - Museo Xul Solar, 2018, reprod. p. 53.</text>
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              </elementText>
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          <element elementId="91">
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              </elementText>
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          <element elementId="50">
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          <element elementId="41">
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Acuarela y gouache sobre papel&#13;
montado sobre cartulina&#13;
12 x 15, 5 cm</text>
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          <element elementId="42">
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            <description>The file format, physical medium, or dimensions of the resource</description>
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          <element elementId="79">
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              </elementText>
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En el frente, sobre la cartulina: i.d. “Shul Solar/&#13;
Angels”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
Inv. FPK: “333 ANGELS 1921 - 12 x 15 1/2”.&#13;
Exposiciones&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas&#13;
Artes, septiembre de 1998, reprod. p. 32.&#13;
Observaciones&#13;
En el cartón de soporte del enmarcado actual, presenta&#13;
una etiqueta pegada “Certificado de autenticidad”,&#13;
de Galería Rubbers, firmada por Natalio J. Povarché,&#13;
además de otras etiquetas del Museo Nacional&#13;
de Bellas Artes (1998) y de Delmiro Méndez e Hijo.</text>
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            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Firma e inscripciones&#13;
a.i.i. “X. 1922”&#13;
En el frente, sobre la cartulina: i.d. “Army/ Shul Solar”&#13;
Inscripciones de terceros&#13;
En el reverso, sobre la cartulina: “ARMY, 1922, 16 x 12,&#13;
acuarela” [MCSS]; “494” [anónimo]; “1.354” [MRC].&#13;
Documentación&#13;
MCSS, [Documentos relativos a exposiciones, venta&#13;
de obras, coleccionistas], 1963-1984: n. [045].&#13;
MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
Aires], 1963-1984: p. 76.&#13;
Inv. FPK: “1354 Army 1922 acuarela 12 x 16”.&#13;
Exposiciones&#13;
Xul Solar 1887-1963, Buenos Aires, Galería Rubbers,&#13;
abril-mayo de 1984.</text>
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          <element elementId="41">
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15,2 x 20,3 cm</text>
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                <text>Número de catálogo razonado: 0327</text>
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                <text>Firma e inscripciones&#13;
c.i. “Xul”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
Aires], 1963-1984: p. 54.&#13;
Inv. FPK: “899 Pepi [sic] Rangi 1920 acuarela 15 x 20”.&#13;
Exposiciones&#13;
Xul Solar - J.L. Borges: Língua e Imagem, Rio de Janeiro,&#13;
Centro Cultural Banco do Brasil, 2 de octubre - 11&#13;
de enero de 1997; San Pablo, Fundacão Memorial da&#13;
América Latina, 23 de enero - 1° de marzo de 1998&#13;
[fuera de catálogo].&#13;
Xul Solar: Works 1916-1963, Estocolmo, Moderna Museet,&#13;
mayo - agosto de 1998.&#13;
Subastas&#13;
Latin American Sale, Christie’s, Nueva York, 1 y 2 de&#13;
junio, 2000, lote 32, reprod. tapa y p. 72.&#13;
Notas&#13;
En Pepé Rangi están representados Papa (la Tierra)&#13;
y Rangi (el Cielo) y sus hijos. Pepé (probablemente&#13;
se trate de una forma de pronunciación de las vocales)&#13;
es Papa, quien aparece representada como una&#13;
mujer que yace sobre la tierra, mientras que Rangi se&#13;
despliega en forma de arco sobre ella y ocupa el cielo.&#13;
A la altura de la cabeza de Pepé aparece la luna en&#13;
creciente y sobre la espalda de Rangi, el sol. Sobre el&#13;
vientre de Papa se ven sus cinco hijos, tres de los cuales&#13;
hacen fuerza para romper la unión de sus padres.&#13;
Aunque el mito se continúa, Xul eligió el momento&#13;
más dramático de la narración para su pintura, un&#13;
tema que con una iconografía muy similar aparece&#13;
en Solar.&#13;
Observaciones&#13;
Al salir a subasta en 2000 se indicó que la obra contaba&#13;
con una foto-certificado de autenticidad otorgado&#13;
por Natalio J. Povarché. En el cartón de soporte del&#13;
enmarcado actual, presenta etiquetas de la FPK, de&#13;
Christie’s y de Delmiro Méndez e Hijo.</text>
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                <text>Colección particular, Buenos Aires</text>
              </elementText>
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            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="46443">
                <text>Fundación Pan Klub - Museo Xul Solar</text>
              </elementText>
            </elementTextContainer>
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              <elementText elementTextId="68027">
                <text>TREGEAR, Edward, The Maori-Polynesian Comparative&#13;
Dictionary, Wellington, Nueva Zelandia, Lyon and&#13;
Blair, 1891.</text>
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Acuarela y gouache sobre papel&#13;
15 x 20,5 cm</text>
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                <text>Número de catálogo razonado: 0326</text>
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              </elementText>
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            <elementTextContainer>
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              <elementText elementTextId="46426">
                <text>Firma e inscripciones&#13;
i.d. “X.”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Exposiciones&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes,&#13;
septiembre de 1998, reprod. p. 14.</text>
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            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="46427">
                <text>FÈVRE, Fermín, Xul Solar, Buenos Aires, Bifronte, El Ateneo, 2000, reprod. p. 55.&#13;
LÓPEZ ANAYA, Jorge, Xul Solar: una utopía espiritualista, Buenos Aires, Fundación Pan Klub - Museo Xul Solar, 2002, n. 10, reprod. p. 42.&#13;
LÓPEZ ANAYA, Jorge, Xul Solar: A Spiritualistic Utopia, Buenos Aires, Fundación Pan Klub Foundation - Museo Xul Solar, n. 10, 2002, , reprod. p. 42.</text>
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            <elementTextContainer>
              <elementText elementTextId="46428">
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              </elementText>
            </elementTextContainer>
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          <element elementId="91">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="46429">
                <text>Fundación Pan Klub - Museo Xul Solar</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              </elementText>
            </elementTextContainer>
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          <element elementId="39">
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          <element elementId="56">
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              <elementText elementTextId="46405">
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          <element elementId="41">
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            <description>An account of the resource</description>
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Acuarela sobre papel montado sobre cartulina&#13;
12 x 16 cm</text>
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            <elementTextContainer>
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            </elementTextContainer>
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          <element elementId="79">
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              </elementText>
            </elementTextContainer>
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          <element elementId="71">
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            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
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                <text>Firma e inscripciones&#13;
i.d. “X. 1926”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
Inv. FPK: “1406 Vuelo 1926 acuarela 12 x 16”.&#13;
Exposiciones&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes,&#13;
septiembre de 1998, reprod. p. 60.</text>
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            </elementTextContainer>
          </element>
          <element elementId="80">
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            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="46413">
                <text>RAMOS FLORES, Maria Bernardete, “Sobre a Vuelvilla de Xul Solar: técnica e liberalidade no Reino do Ócio ou a Revolução Caraíba”, ArtCultura, Uberlândia, v. 12, n. 21, p. 55-71, julio-diciembre, 2010, reprod. p. 65.&#13;
CRISTIÁ, Cintia, Xul Solar, un músico visual: la música en su vida y obra, Buenos Aires, Gourmet Musical Ediciones, 2007, p. 40.</text>
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            <elementTextContainer>
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              </elementText>
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          <element elementId="91">
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            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
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              </elementText>
            </elementTextContainer>
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          <element elementId="50">
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              </elementText>
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          <element elementId="41">
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            <elementTextContainer>
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Acuarela y gouache sobre papel&#13;
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15 x 21 cm</text>
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            </elementTextContainer>
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          <element elementId="43">
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                <text>Firma e inscripciones&#13;
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Inscripciones de terceros&#13;
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LLUVIA LACTEA, 1926” [MCSS]; “15 x 21 cart. 18 x 24&#13;
5/T” [MRC]; “608” [anónimo]; “1167” [MRC].&#13;
Documentación&#13;
Inv. FPK: “1167 Lluvia láctea 1926 -″- 15,5 x 21 cm”.&#13;
Papel retirado que actuaba como soporte de Lluvia&#13;
láctea, en Conjunto de cartones y etiquetas retirados&#13;
entre 1997 y 2001, n. 05, AD-FPK.&#13;
Exposiciones&#13;
Xul Solar (1887-1963). I Bienal de Artes Visuales del&#13;
Mercosur, Buenos Aires, Fundación Banco Patricios,&#13;
31 de julio - 23 de agosto de 1997, reprod. p. 9.&#13;
Xul Solar (1998-1963). I Bienal de Artes Visuais do Mercosul,&#13;
Porto Alegre¸ Fundacão Bienal de Artes Visuais&#13;
do Mercosul, 2 de octubre - 30 de noviembre de 1997,&#13;
reprod. p. 9.&#13;
Xul Solar, Madrid, Museo Nacional Centro de Arte Reina&#13;
Sofía, 2002, n. 58, reprod. p. 130.</text>
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                <text>BORGES, Jorge Luis, “Un ciudadano del cosmos”, BA. Buenos Aires. Bellas Artes, Buenos Aires, Universidad de Palermo, CAyC, n. 1, octubre de 1998, p. 29.&#13;
LÓPEZ ANAYA, Jorge, Xul Solar: una utopía espiritualista, Buenos Aires, Fundación Pan Klub - Museo Xul Solar, 2002, n. 90, reprod p. 112. &#13;
LÓPEZ ANAYA, Jorge, Xul Solar: A Spiritualistic Utopia, Buenos Aires, Fundación Pan Klub Foundation - Museo Xul Solar, 2002, n. 90, reprod p. 112.</text>
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Xul Solar, Buenos Aires, Museo Nacional&#13;
de Bellas Artes, septiembre de&#13;
1998, reprod. p. 24.&#13;
Subastas&#13;
The Latin American Sale, Christie’s,&#13;
Nueva York, 22 y 23 de noviembre,&#13;
1999, lote 26, reprod. p. 57 y contratapa.&#13;
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Al salir a subasta en 1999 se indicó&#13;
que la obra contaba con una fotocertificado&#13;
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Galería Rubbers, firmada por Povarché,&#13;
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Christie’s, del Museo Nacional de Bellas&#13;
Artes y de Delmiro Méndez e Hijo.</text>
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                <text>RAMOS FLORES, Maria Bernardete, “Sobre a Vuelvilla de Xul Solar: técnica e liberalidade no Reino do Ócio ou a Revolução Caraíba”, ArtCultura, Uberlândia, v. 12, n. 21, p. 55-71, julio-diciembre, 2010, p. 65.</text>
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Exposiciones&#13;
Xul Solar, Museo Nacional de Bellas Artes,&#13;
Buenos Aires, septiembre de 1998.&#13;
Xul Solar. El sol herido, Málaga, Palacio&#13;
Episcopal, 5 de junio - 5 de julio de&#13;
1998 / Sevilla, Centro Andaluz de Arte&#13;
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Subastas&#13;
The Latin American Sale, Christie’s,&#13;
Nueva York, 22 y 23 de noviembre,&#13;
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Natalio J. Povarché. En el cartón de&#13;
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etiquetas pegadas de Christie’s,&#13;
del Museo Nacional de Bellas Artes y&#13;
de Delmiro Méndez e Hijo.</text>
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15 x 21”.&#13;
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El museo de los mundos imaginarios,&#13;
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            <name>Audience Education Level</name>
            <description>A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended.</description>
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                <text>Número de catálogo razonado: 0320</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>pinturas</text>
              </elementText>
            </elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="46340">
                <text>pintura</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>pintura</text>
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          <element elementId="71">
            <name>Is Referenced By</name>
            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
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                <text>Firma e inscripciones&#13;
e.i.c. “X. 1921”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
Inv. FPK: “1420 Pareja Upa 1921 acuarela&#13;
15,5 x 12”.</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Colección particular, Buenos Aires</text>
              </elementText>
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          <element elementId="91">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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              <elementText elementTextId="46344">
                <text>Fundación Pan Klub - Museo Xul Solar</text>
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            </elementTextContainer>
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