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Inscripciones de terceros&#13;
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Documentación&#13;
Inv. FPK: “1181 Probemos 1919 -″- 21 x 7,5”.&#13;
Exposiciones&#13;
Xul Solar (1887-1963): obras inéditas, Buenos Aires,&#13;
Galería Rubbers, 26 de junio-24 de julio de 1990, n. 10.&#13;
Alejandro Xul Solar (1887-1963), New York, Rachel Adler&#13;
Gallery, 2 de mayo - 8 de junio de 1991, n. 5, reprod. s.p.&#13;
Art from Argentina: Argentina 1920-1994, Oxford, The&#13;
Museum of Modern Art, 1994; Sudwestdeutsche Landesbank,&#13;
1995; Londres, Royal College of Art Galleries,&#13;
1995; Lisboa, Fundação das Descobertas/Centro&#13;
Cultural de Belém, 1995; Buenos Aires, Centro Cultural&#13;
Borges, 1995, n. 75.&#13;
Arte en Argentina: Argentina 1920-1994, Buenos Aires,&#13;
Fundación para las Artes - Centro Borges, 18 de octubre&#13;
al 22 de diciembre, 1995, n. 75.&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes,&#13;
septiembre de 1998.&#13;
Xul Solar. El sol herido, Málaga, Palacio Episcopal, 5 de&#13;
junio - 5 de julio de 1998 / Sevilla, Centro Andaluz de&#13;
Arte Contemporáneo, julio - agosto de 1998, n. 6.&#13;
Xul Solar, Madrid, Museo Nacional Centro de Arte Reina&#13;
Sofía, 2002, n. 14, reprod. p. 90.</text>
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GRADOWCZYK, Mario H., Xul Solar, Buenos Aires, Alba / Bunge y Born; Nueva York, Harry N. Abrams, Inc., Publishers, 1996, n. 31, reprod. p. 51.&#13;
LÓPEZ ANAYA, Jorge, Xul Solar: una utopía espiritualista, Buenos Aires, Fundación Pan Klub - Museo Xul Solar, 2002, n. 29, reprod. p. 56. &#13;
LÓPEZ ANAYA, Jorge, Xul Solar: A Spiritualistic Utopia, Buenos Aires, Fundación Pan Klub Foundation - Museo Xul Solar, 2002, n. 29, reprod. p. 56.</text>
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93, reprod.&#13;
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por un certificado de autenticidad firmado por&#13;
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Inscripciones de terceros&#13;
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Inv. FPK: “1180 Os alcanzaré… 1919 témpera 21 x 7,5”.&#13;
Exposiciones&#13;
Alejandro Xul Solar (1887-1963), New York, Rachel Adler&#13;
Gallery, 2 de mayo - 8 de junio de 1991, n. 4, reprod. s.p.&#13;
Art from Argentina: Argentina 1920-1994, Oxford, The&#13;
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1995; Londres, Royal College of Art Galleries,&#13;
1995; Lisboa, Fundação das Descobertas/Centro&#13;
Cultural de Belém, 1995; Buenos Aires, Centro Cultural&#13;
Borges, 1995, n. 74.&#13;
Arte en Argentina: Argentina 1920-1994, Buenos Aires,&#13;
Fundación para las Artes - Centro Borges, 18 de octubre&#13;
al 22 de diciembre, 1995, n. 74.&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes,&#13;
septiembre de 1998.&#13;
Xul Solar. El sol herido, Málaga, Palacio Episcopal, 5 de&#13;
junio - 5 de julio de 1998 / Sevilla, Centro Andaluz de&#13;
Arte Contemporáneo, julio - agosto de 1998, n. 5.&#13;
Xul Solar, Buenos Aires, Galería Rubbers, 2 al 30 de&#13;
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LÓPEZ ANAYA, Jorge, Xul Solar: una utopía espiritualista, Buenos Aires, Fundación Pan Klub - Museo Xul Solar, 2002, n. 18, reprod. p. 48. &#13;
LÓPEZ ANAYA, Jorge, Xul Solar: A Spiritualistic Utopia, Buenos Aires, Fundación Pan Klub Foundation - Museo Xul Solar, 2002, n. 18, reprod. p. 48.&#13;
Archivo fotográfico&#13;
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Transparencia 12,5 x 10 cm, 041.</text>
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c.i. “X. 1919”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
Inv. FPK: “1182 Banderas, amor te alcanza 1919 acuarela&#13;
21 x 7,5.”&#13;
Exposiciones&#13;
Xul Solar (1887-1963): obras inéditas, Buenos Aires,&#13;
Galería Rubbers, 26 de junio-24 de julio de 1990, n. 9?&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes,&#13;
septiembre de 1998, reprod. p. 13.&#13;
Xul Solar, Madrid, Museo Nacional Centro de Arte Reina&#13;
Sofía, 2002, n. 15, reprod. p. 92.&#13;
Xul Solar, Buenos Aires, Galería Rubbers Internacional,&#13;
1° al 24 de abril de 2004.</text>
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[posdatada i.e. ca. 1919]&#13;
Acuarela y gouache sobre papel&#13;
montado sobre cartulina&#13;
21 x 7,5 cm</text>
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                <text>Firma e inscripciones&#13;
i.d. “X. 1924”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Exposiciones&#13;
Xul Solar (1887-1963). I Bienal de Artes&#13;
Visuales del Mercosur, Buenos Aires,&#13;
Fundación Banco Patricios, 31 de julio&#13;
- 23 de agosto de 1997.&#13;
I Bienal de Artes Visuais do Mercosul,&#13;
Porto Alegre / Fundacão Bienal de&#13;
Artes Visuais do Mercosul, 2 de octubre&#13;
- 30 de noviembre de 1997, reprod. s.p.&#13;
Observaciones&#13;
La última vez que la obra fue expuesta fue en 1997, y aunque no se indicó su procedencia, es probable que se encontrase en una colección particular de Buenos Aires, pero no hemos podido localizar a su actual poseedor. Por esa misma razón, el registro fotográfico reproducido aquí resulta deficiente.</text>
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            <description>A person or organization owning or managing rights over the resource.</description>
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</text>
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Acuarela sobre papel montado sobre cartulina&#13;
21,3 x 7,6 cm, montaje 27,3 x 22,2 cm</text>
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            <description>The material or physical carrier of the resource.</description>
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            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
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                <text>Documentos&#13;
Inv. FPK: 65 Miro tó - - 7,5 x 21 cm&#13;
Fotografía&#13;
Copia certificada por Jorge Natalio Povarché, anterior a 2007, con el título: Miro tó lo que haces&#13;
Inscripciones de terceros&#13;
En el reverso, sobre la cartulina: "65." [MRC]. &#13;
Exposiciones&#13;
Xul Solar: Panactivista, Buenos Aires, Museo Nacional de Bellas Artes, 7 de marzo al 18 de junio de 2017, reprod. p. [126]&#13;
Xul Solar: Panactivista, Ciudad de México, Museo de Arte Carrillo Gil,  julio a octubre de 2017, reprod. p. 65.</text>
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            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
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                <text>Fundación Pan Klub - Museo Xul Solar</text>
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            <description>A name given to the resource</description>
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            <description>An entity primarily responsible for making the resource</description>
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            <description>Date of creation of the resource.</description>
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            <description>An account of the resource</description>
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Acuarela y gouache sobre papel&#13;
montado sobre cartulina&#13;
21,1 x 7,9 cm</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>The material or physical carrier of the resource.</description>
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i.d. “X.”&#13;
Inscripciones de terceros&#13;
En el reverso, sobre la cartulina:&#13;
“1.894” [MRC].&#13;
Documentación&#13;
Inv. FPK: “1894 Recibo 1919 acuarela&#13;
21 x 7,8”.</text>
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                <text>Fundación Pan Klub, Buenos Aires</text>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
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                <text>Fundación Pan Klub - Museo Xul Solar</text>
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c.i. “X.”&#13;
Inscripciones de terceros&#13;
En el reverso: “Pájaros 1919” [anónimo];&#13;
“1.891/ 39” [MRC].&#13;
Documentación&#13;
Inv. FPK: “1891 Pájaros. 1919 acuarela&#13;
21 x 7,5”.</text>
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e.i.c. “X.”&#13;
Inscripciones de terceros&#13;
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“Descenso, 1919” [anónimo]; “1.885/&#13;
32” [MRC].&#13;
Documentación&#13;
Inv. FPK: “1885 Descenso 1919 acuarela&#13;
21 x 7,5 cm”.</text>
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Documentos&#13;
Micaela Cadenas de Schulz Solari, [Listado diapositivas Caja I, II, III, IV y V; “Lista diap. del Museo de Bellas Artes (Svanascini) [1963]”; y papeles sueltos [01 - 05]: listado III, n. 19&#13;
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&#13;
Diapositivas de obras realizadas por encargo de Micaela Cadenas de Schulz Solari, 1967, cajas I-III y V, caja III, n. 19.&#13;
Exposiciones&#13;
Xul Solar (1887-1963): obras inéditas, Buenos Aires, Galería Rubbers, 26 de junio-24 de julio de 1990, n. 2.&#13;
Xul Solar: Panactivista, Buenos Aires, Museo Nacional de Bellas Artes, 7 de marzo al 18 de junio de 2017, reprod. p. [193].</text>
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a.i.d. “X.”&#13;
Inscripciones de terceros&#13;
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Documentación&#13;
Inv. FPK: “1899 Vuelo 1919 témpera 21 x 7,5 cm”.&#13;
Exposiciones&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes,&#13;
septiembre de 1998.&#13;
Artistas modernos rioplatenses en Europa 1911/1914.&#13;
La experiencia de la vanguardia, Buenos Aires, Malba&#13;
- Colección Costantini, 17 de octubre de 2002 al 27 de&#13;
enero de 2003, n. 84, reprod. p. 70 [con el título erróneo&#13;
Mis ilusos pensamientos].</text>
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Documentación&#13;
Inv. FPK: “1334 Alho de Dios 1922 acuarela 21 x 16”.&#13;
Exposiciones&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes,&#13;
septiembre de 1998.&#13;
Artistas modernos rioplatenses en Europa 1911/1914.&#13;
La experiencia de la vanguardia, Buenos Aires, Malba&#13;
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Inscripciones de terceros&#13;
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/2/ REZO” [MCSS]; “631” [anónimo]; “1.345 - 1” [MRC].&#13;
En el reverso del cartón que sirve de soporte a la cartulina:&#13;
“631” [anónimo].&#13;
Documentación&#13;
Inv. FPK: “1345 Rezo 1919 acuarela 21 x 7,5 cm”.&#13;
Exposiciones&#13;
Xul Solar (1887-1963): obras inéditas, Buenos Aires,&#13;
Galería Rubbers, 26 de junio-24 de julio de 1990, n. 1.&#13;
Observaciones&#13;
La inscripción de la viuda refiere a dos obras –Música&#13;
y Rezo, esta última catalogada a continuación– que en&#13;
algún momento ella reunió sobre el mismo soporte,&#13;
desprendiendo a Rezo de su soporte original junto a&#13;
Flamas, miembros (Cat. 390). En la actualidad las tres&#13;
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“[MIEM]BROS” [MCSS]; “632” [anónimo];&#13;
“1171” [MRC].&#13;
Documentación&#13;
MCSS, [Listado diapositivas Caja I, II,&#13;
III, IV y V; “Lista diap. del Museo de&#13;
Bellas Artes (Svanascini) [1963]”; y papeles sueltos [01 - 05]: listado III,&#13;
n. 19.&#13;
Inv. FPK: “1171 Flamas miembros&#13;
1919 -″- 21 x 7,5”.&#13;
Observaciones&#13;
Originalmente, como se puede ver en&#13;
la diapositiva referenciada, la obra&#13;
estaba montada junto a Rezo (Cat.&#13;
390) compartiendo la misma cartulina&#13;
como soporte.&#13;
Véase Observaciones en Música,&#13;
catalogada a continuación.&#13;
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ArteBA 2015. Edición 24 Feria de arte contemporáneo, Buenos Aires, La Rural, Galería Rubbers Internacional, mayo, 2015.&#13;
Observaciones&#13;
Las dos obras se encuentran asociadas pues originalmente compartían el mismo soporte, una cartulina.&#13;
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“328” y “329” [MRC].&#13;
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384 y 385, Inv. FPK: “798 S/T. - - 21 1/2&#13;
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Documentación&#13;
Inv. FPK: “1274 Banderas 1919 acuarela 21 x 7,5”.&#13;
Exposiciones&#13;
Xul Solar (1887-1963): obras inéditas, Buenos Aires,&#13;
Galería Rubbers, 26 de junio-24 de julio de 1990, n. 8.&#13;
I Exposición de Artes Visuales con subasta, Buenos Aires,&#13;
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Acuarela y gouache sobre papel&#13;
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Documentos&#13;
Inevntario FPK: "1275 Vuelo 1919 témpera 21 x 7,5"&#13;
Exposiciones&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes, septiembre de 1998, reprod. p. 20.&#13;
Subastas&#13;
Importante y excepcional selección de pintura argentina y europea, muebles, objetos de arte y antigüedades, Roldán y Cía., Buenos Aires, remate n. 123, 15 al 17 de agosto, 2001, lote 1, reprod.&#13;
XLVIII Subasta de arte, Arroyo Remates, Buenos Aires, 30 de septiembre, 2003, lote 97.&#13;
Observaciones&#13;
Al salir a subasta en 2001, se indicó que en su reverso&#13;
presentaba una etiqueta pegada “Certificado de autenticidad”,&#13;
de Galería Rubbers, firmada por Natalio&#13;
J. Povarché, además de otra etiqueta de la Galería&#13;
Ruth Benzacar. Asimismo se informó que la obra era&#13;
acompañada por una foto-certificado de autenticidad&#13;
firmado por Natalio J. Povarché.</text>
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Sin información&#13;
Documentación&#13;
Inv. FPK: “1288 Casi vuelo 1923 témpera 21,5 x 7,5”.&#13;
Exposiciones&#13;
Xul Solar: témperas/acuarelas, Buenos Aires, Galería&#13;
Rubbers, mayo-junio de 1985, n. 11.&#13;
Xul Solar - J.L. Borges: Língua e Imagem, Rio de Janeiro,&#13;
Centro Cultural Banco do Brasil, 2 de octubre - 11&#13;
de enero de 1997; San Pablo, Fundacão Memorial da&#13;
América Latina, 23 de enero - 1° de marzo de 1998,&#13;
reprod. p. 37.&#13;
Xul Solar, Mendoza, Museo Municipal de Arte Moderno,&#13;
10 al 29 de abril, 2001, reprod. s.p.&#13;
Xul Solar, Buenos Aires, Galería Rubbers, 2 al 30 de&#13;
abril, 2002, reprod. s.p.</text>
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