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a.i.d. “X.”&#13;
Inscripciones de terceros&#13;
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Sin título, (Cat. 1589 b); Sin título, (Cat. 1594); Sin título,&#13;
(Cat. 1598 a); Sin título, (Cat. 1596); Sin título, (Cat.&#13;
1595) y Sin título, (Cat. 1597).&#13;
Documentación&#13;
Inv. FPK: “1889 Implora (rota) 1920 acuarela&#13;
22,8 x 12”.&#13;
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e.i.c. “X. 1921”&#13;
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“1410” [MRC]; “676” [anónimo].&#13;
Obras relacionadas&#13;
Penitentes, (Cat. 359); Sin título, (Cat. 1593); Sin título,&#13;
(Cat. 1592); Sin título, (Cat. 1587); Sin título, (Cat.&#13;
1590); Sin título, (Cat. 1588); Sin título, (Cat. 1589 a);&#13;
Sin título, (Cat. 1598 b) y Sin título (Cat. 1591).&#13;
Documentación&#13;
Inv. FPK: “1184 Pirámides 1921 acuarela 26 x 18.</text>
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a.i.i. “Xul. 1921”&#13;
Inscripciones de terceros&#13;
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Obras relacionadas&#13;
Penitentes, (Cat. 359); Sin título, (Cat. 1593); Sin título,&#13;
(Cat. 1592); Sin título, (Cat. 1587); Sin título, (Cat.&#13;
1590); Sin título, (Cat. 1588); Sin título, (Cat. 1589 a);&#13;
Sin título, (Cat. 1598 b) y Sin título (Cat. 1591).&#13;
Documentación&#13;
Inv. FPK: “1410 Pirámides 1921 acuarela 25,5 x 18”.</text>
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Litografía coloreada a mano con acuarela y tinta&#13;
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e.i.c. “X. 1921”&#13;
Inscripciones de terceros&#13;
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Obras relacionadas&#13;
Penitentes, (Cat. 359); Sin título, (Cat. 1593); Sin título,&#13;
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Sin título, (Cat. 1598 b) y Sin título (Cat. 1591).&#13;
Documentación&#13;
Inv. FPK: “1411 Pirámides 1921 acuarela 25,5 x 18”.</text>
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              <elementText elementTextId="68051">
                <text>PETTORUTI, Emilio, Un pintor ante el espejo, Buenos&#13;
Aires, Solar / Hachette, 1968, p. 54-55 y 151.</text>
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                <text> [1921]</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="47910">
                <text>Sin título, [1921]&#13;
Litografía coloreada a mano con acuarela montada sobre cartón&#13;
25,8 x 17,6 cm, montaje 39 x 32,2 cm</text>
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          <element elementId="43">
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            <name>Audience Education Level</name>
            <description>A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended.</description>
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              <elementText elementTextId="47912">
                <text>Número de catálogo razonado: 0436</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>pinturas</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>pintura</text>
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          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>pintura</text>
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          <element elementId="71">
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                <text>Inscripciones de terceros&#13;
En el reverso, sobre el cartón: “31 (PRE 1924)” [MCSS];&#13;
“453” [MRC].&#13;
Obras relacionadas&#13;
Penitentes, (Cat. 359); Sin título, (Cat. 1593); Sin título,&#13;
(Cat. 1592); Sin título, (Cat. 1587); Sin título, (Cat.&#13;
1590); Sin título, (Cat. 1588); Sin título, (Cat. 1589 a);&#13;
Sin título, (Cat. 1598 b) y Sin título (Cat. 1591).&#13;
Documentación&#13;
Inv. FPK: “453 PRE 1924 - 17 1/2 x 26”.&#13;
Notas&#13;
Incluimos aquí un conjunto de litografías coloreadas&#13;
a mano con acuarela por el artista las que constituyen&#13;
una excepción en su producción y por eso hemos&#13;
decidido no organizar un capítulo aparte destinado&#13;
a grabado, ya que el conjunto en sí es pequeño en&#13;
tanto presenta solo dos motivos y diferentes pruebas&#13;
de estado. En relación con su datación, solo tres de&#13;
estas litografías se encuentran datadas en 1921, pero&#13;
es evidente que deben distinguirse dos momentos&#13;
de ejecución distintos. Al respecto, 1920 debe haber&#13;
sido el año en el que el artista encontrándose en&#13;
Milán y a través de su amigo Pettoruti tuvo acceso a&#13;
la prensa que fuera de Umberto Boccioni, adquirida&#13;
por el pintor platense luego de su fallecimiento. Por&#13;
este artista sabemos que durante 1920 él mismo hizo&#13;
grabados de tiraje reducido empleándola; para ese&#13;
entonces con varias estancias en Milán, Xul estuvo&#13;
particularmente cercano a Pettoruti y ese debe haber&#13;
sido el momento en que realizó estas litografías y las&#13;
distintas pruebas de estado que conocemos hoy. El&#13;
segundo momento debe haber sido aquel en el que&#13;
se decidió a colorearlas, que por su datación fue en&#13;
1921, por lo menos a este subgrupo que se relaciona&#13;
directamente con su pintura Penitentes, la que constituyó&#13;
su punto de partida, lo que se comprueba al&#13;
comparar una y otras, donde en el caso de las litografías&#13;
la imagen aparece invertida. Por último, este&#13;
interés también lo relaciona con las xilografías coloreadas&#13;
a mano con acuarela realizadas por su amigo&#13;
Achille Lega, de las que Xul conservó dos.</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="47917">
                <text>Fundación Pan Klub, Buenos Aires</text>
              </elementText>
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          </element>
          <element elementId="91">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="47918">
                <text>Fundación Pan Klub - Museo Xul Solar</text>
              </elementText>
            </elementTextContainer>
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                <text>Plantas</text>
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            <description>An account of the resource</description>
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Óleo sobre cartón&#13;
22,1 x 22,6 cm</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Audience Education Level</name>
            <description>A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended.</description>
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                <text>Número de catálogo razonado: 0435</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>pinturas</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                <text>pintura</text>
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          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
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                <text>pintura</text>
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            <name>Is Referenced By</name>
            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
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              <elementText elementTextId="47903">
                <text>Firma e inscripciones&#13;
i.i. “Xul. 1929”&#13;
Inscripciones de terceros&#13;
En el reverso: “PLANTAS - o - 1929/ 22,5 x 22” [anónimo];&#13;
“1273” [anónimo] y “661” [anónimo].&#13;
Documentación&#13;
Inv. FPK: “1273 Plantas 1930 óleo 22,5 x 22”.&#13;
Notas&#13;
En el caso de esta obra, debe haber sido identificada&#13;
al mismo momento que Sin título (Cat. 360), ya que&#13;
las inscripciones que presenta en el reverso, referidas&#13;
a sus datos técnicos pertenecen a la misma mano y&#13;
seguramente fue entonces cuando se le asignó el título&#13;
de Plantas. Asimismo, resulta evidente que la pintura&#13;
fue posdatada ya que tanto por la técnica como&#13;
por el soporte y sus medidas, se relaciona con el conjunto&#13;
de óleos realizados a partir de 1918, además de&#13;
que Auxilio, que es la pintura que se relaciona directamente&#13;
con ella ya que se trata de una versión de la&#13;
misma obra solo que realizada a la acuarela, aparece&#13;
datada en 1921. Véase Notas a Umbra.</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="47904">
                <text>Fundación Pan Klub, Buenos Aires</text>
              </elementText>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="47905">
                <text>Fundación Pan Klub - Museo Xul Solar</text>
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            </elementTextContainer>
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                <text>Xul Solar, Alejandro (1887-1963)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47877">
                <text>Umbra</text>
              </elementText>
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          <element elementId="39">
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                <text>Xul Solar, Alejandro, 1887-1963</text>
              </elementText>
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          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="47879">
                <text> [1921?]</text>
              </elementText>
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          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="47880">
                <text>[Ome i su sombra?]</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47881">
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Óleo sobre cartón&#13;
22,5 x 22 cm</text>
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            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="47882">
                <text>AXS_01836</text>
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            </elementTextContainer>
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            <name>Audience Education Level</name>
            <description>A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended.</description>
            <elementTextContainer>
              <elementText elementTextId="47883">
                <text>Número de catálogo razonado: 0434</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47884">
                <text>pinturas</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47885">
                <text>pintura</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="47886">
                <text>pintura</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="71">
            <name>Is Referenced By</name>
            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
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                <text>Firma e inscripciones&#13;
i.d. “Xul”&#13;
Inscripciones de terceros&#13;
Sin información, véase Notas&#13;
Documentación&#13;
MCSS, [Exposiciones 1920-1951, detalle de carpetas&#13;
de obras, gastos 1949, cuadros existentes], [Buenos&#13;
Aires], 1949-1966: p. 201.&#13;
MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
Aires], 1963-1984: p. 55.&#13;
Inv. FPK: “1308 Umbra 1929 óleo 22 x 22,5”.&#13;
Exposiciones&#13;
[Exposición Xul Solar, Buenos Aires, Amigos del Arte,&#13;
mayo de 1929, n. 23.]&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes,&#13;
septiembre de 1998, reprod. p. 68.&#13;
Xul Solar, Buenos Aires, Galería Rubbers Internacional,&#13;
1° al 24 de abril, 2004, [n. 18].&#13;
Notas&#13;
Umbra aparece mencionada en la documentación&#13;
indicada aquí sólo en dos oportunidades; la primera&#13;
de ellas indica “+ - 1930 Umbra (16)” –[Exposiciones&#13;
1920-1951], p. 201– y en el segundo documento&#13;
–“Muestras póstumas”, p. 55– se indica el año 1929&#13;
como fecha de ejecución. De estas aclaraciones se&#13;
deduce que no existía una datación cierta para la&#13;
obra y que probablemente dicha datación se le asignó&#13;
a fines de la década de 1970. De la consideración&#13;
de la pintura desde el punto de vista estilístico, su&#13;
técnica y soporte, se desprende que ella se relaciona&#13;
con el conjunto de óleos realizados a partir de 1918.&#13;
Por otra parte, para la nueva propuesta de datación&#13;
también nos guiamos por el tratamiento de la figura&#13;
que en su representación se encuentra muy próxima&#13;
a Faunos (Cat. 433), efectivamente datada por el artista&#13;
en 1921.&#13;
Asimismo, la inscripción “UMBRA”, de la que se tomó&#13;
el título, que significa “sombra”, además del tema&#13;
representado –un hombre en un paisaje y la sombra&#13;
que él proyecta en el espacio– permiten proponer&#13;
que esta pintura es aquella que con el título Ome i su&#13;
sombra fue expuesta en Amigos del Arte en su primera&#13;
exposición individual en el país en 1929.</text>
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            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
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                <text>Bibliografía&#13;
LÓPEZ ANAYA, Jorge, Xul Solar: una utopía espiritualista,&#13;
Buenos Aires, Fundación Pan Klub - Museo Xul&#13;
Solar, 2002, n. 96, reprod. p. 118.&#13;
LÓPEZ ANAYA, Jorge, Xul Solar: A Spiritualistic Utopia,&#13;
Buenos Aires, Pan Klub Foundation - Museo Xul Solar,&#13;
2002, n. 96, reprod. p. 118.&#13;
Firma e inscripciones&#13;
i.d. “Xul”</text>
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          <element elementId="70">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Colección particular, Buenos Aires</text>
              </elementText>
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          <element elementId="91">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="47891">
                <text>Fundación Pan Klub - Museo Xul Solar</text>
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            </elementTextContainer>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Xul Solar, Alejandro, 1887-1963</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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              <elementText elementTextId="47866">
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              </elementText>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
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Registro fotográfico histórico&#13;
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plata, 8,2 x 12,8 cm, Serie Fotografías&#13;
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Exposición Xul Solar, Buenos Aires, Amigos del Arte, mayo de 1929, n. 42.</text>
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Inscripciones de terceros&#13;
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Inv. FPK: “1418 Auxilio 1921 acuarela&#13;
12 x 16”.</text>
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Documentación&#13;
Inv. FPK: “341 Romance 1921 -″-&#13;
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Obras relacionadas&#13;
Regione rocciosa, (Cat. 198)&#13;
Subastas&#13;
Importante y excepcional selección de pinturas, muebles, objetos de arte y antigüedades, Roldán y Cía., Buenos Aires, remate n. 80, 23 al 25 de septiembre, 1992, lote 84, reprod. s.p.&#13;
Observaciones&#13;
Al salir a subasta en 1992 se indicó que la obra había sido un obsequio del artista a Emilio Pettoruti. Véase Notas a Anunciación (Cat. 51).</text>
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MCSS, [Listado diapositivas Caja I, II,&#13;
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Registro fotográfico histórico&#13;
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n. 20 [diapositiva faltante].&#13;
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Xul Solar (1887-1963): obras inéditas, Buenos Aires, Galería Rubbers, 26 de junio- 24 de julio de 1990, n. 12.</text>
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Inscripciones de terceros&#13;
En el reverso: “1.877/ 22” [MRC].&#13;
Documentación&#13;
Inv. FPK: “1877 Los ojos 1926 acuarela&#13;
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Xul Solar: visiones y revelaciones, Buenos&#13;
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“1886/ 38.” [MRC].&#13;
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Inv. FPK: “1886 Profetas 1919 acuarela&#13;
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