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i.d. “1955”; i.d. “XUL”&#13;
Inscripciones de terceros&#13;
En el reverso, sobre el cartón: “(32, PUERTO, 1955,&#13;
17 x 22, tinta” [MCSS]; “237” [MRC].&#13;
Documentación&#13;
MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
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Inv. FPK: “237 PUERTO 1955 tinta 17 x 22”.&#13;
Exposiciones&#13;
Xul Solar, Buenos Aires, Galería Rubbers, abril-mayo,&#13;
1980, n. 18.</text>
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Inscripciones de terceros&#13;
En el reverso: “5,8 cm de ancho/ (grabado pluma)”&#13;
[anónimo]; “60” [anónimo]; “4481” [anónimo]; “720.”&#13;
[MRC].&#13;
Documentación&#13;
Inv. FPK: “720 MAN PLANTAS 1955 -″- -″- 16 1/2 x 22”.&#13;
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                <text>Bibliografía&#13;
Xul Solar, A., “Propuestas para más vida futura. Algo&#13;
semitécnico sobre mejoras anatómicas y entes nuevos”, Lyra, Buenos Aires, a. 15, n. 5, 1957, reprod. byn,&#13;
p. [31] [con el título Filántropos].</text>
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i.i. “XUL” y “1955”&#13;
Inscripciones de terceros&#13;
En el reverso: “4” [anónimo]; “730.” [MRC].&#13;
Documentación&#13;
AXS, primera idea para Sin título, en Cuaderno marca&#13;
“1910”, [1951-1954], CA-42, AD-FPK.&#13;
AXS, primera idea para Sin título, en Cuaderno marca&#13;
“1910”, [1951-1954], CA-42, AD-FPK.&#13;
Inv. FPK: “730 S/T. 1955 -″- -″- 16 1/2 x 22”.</text>
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a.i.d. “XUL 1955”; i.d. “85”&#13;
Inscripciones de terceros&#13;
En el reverso: “954.” [MRC]&#13;
Documentación&#13;
AXS, primera idea para Sin título, en Cuaderno marca&#13;
“1910”, [1951-1954], CA-42, AD-FPK.&#13;
Inv. FPK: “954 Sin título 1955 tinta 16 1/2 x 22”.&#13;
Observaciones&#13;
En su reverso, el papel presenta algunos dibujos al&#13;
lápiz del artista.</text>
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En el reverso, sobre el cartón: “(42)/ VARIAS CHOLAS,&#13;
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Documentación&#13;
Inv. FPK: “247 VARIAS CHOLAS 1955 -″- 17 x 22”</text>
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Inscripciones de terceros&#13;
En el reverso: “6” [anónimo]; “732.” [MRC].&#13;
Documentación&#13;
Inv. FPK: “732 S/T. 1955 -″- -″- 16 1/2 x 22”</text>
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Tinta sobre papel&#13;
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i.d. “XUL” y “1955”&#13;
Inscripciones de terceros&#13;
En el reverso: “15” [anónimo]; “741.” [MRC].&#13;
Documentación&#13;
Inv. FPK: “741 S/T. 1955 -″- -″- 16 1/2 x 22”.</text>
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Inscripciones de terceros&#13;
En el reverso, sobre el cartón: “(91)/ ARRIBA? ABAJO?,&#13;
1955, 17 x 22, tinta” [MCSS]; “295” [MRC].&#13;
Documentación&#13;
Inv. FPK: “295 Arriba? Abajo? 1955 -″- 17 x 22”.</text>
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            <description>The nature or genre of the resource</description>
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i.i. “XUL”; a.i.i. “1955”&#13;
Inscripciones de terceros&#13;
Sin información, véase Observaciones.&#13;
Documentación&#13;
MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista&#13;
diap. del Museo de Bellas Artes (Svanascini) [1963]”; y&#13;
papeles sueltos [01-05]: listado I, n. 333.&#13;
MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
Aires], 1963-1984: p. 62.&#13;
MCSS, [Diapositivas y movimientos de obras], [Buenos&#13;
Aires], 1964-1983: “Diapositivas de Xul Solar”, p. 22.&#13;
Inv. FPK: “212 SENDAS UPA 1955 -″- -″- 17 x 22 1/2”.&#13;
Registro fotográfico histórico&#13;
Diapositivas de obras realizadas por encargo de MCSS,&#13;
1967, cajas I-III y V: caja I, n. 333.&#13;
Exposiciones&#13;
Xul Solar: the Architectures, Londres, Courtauld Institute Galleries, 1994, n. 52, reprod. byn p. 48.&#13;
Observaciones&#13;
Para el estado actual del reverso, véase Observaciones a Cat. 1343.&#13;
En el reverso, sobre el segundo cartón: “CAT. 52/ INV.&#13;
FPK. 212” [MRC?].</text>
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                <text>Fundación Pan Klub-Museo Xul Solar</text>
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          <element elementId="56">
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              <elementText elementTextId="61182">
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                <text>Xul Solar, Alejandro (1887-1963)</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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Tinta sobre papel&#13;
16,8 x 21,7 cm</text>
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                <text>Número de catalogo razonado: 1378</text>
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          <element elementId="51">
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            <description>The nature or genre of the resource</description>
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              </elementText>
            </elementTextContainer>
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          <element elementId="71">
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a.i.d. “Xul/ 1955”&#13;
Inscripciones de terceros&#13;
En el reverso: “688.” [MRC].&#13;
Documentación&#13;
Inv. FPK: “688 S/T TINTA 16 1/2 x 21 1/2”.</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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              <elementText elementTextId="50839">
                <text>Fundación Pan Klub, Buenos Aires</text>
              </elementText>
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          <element elementId="91">
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                <text>Fundación Pan Klub-Museo Xul Solar</text>
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            </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="50815">
                <text>Piai</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Xul Solar, Alejandro, 1887-1963</text>
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          <element elementId="56">
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                <text>1923</text>
              </elementText>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Piai, 1923&#13;
Acuarela, gouache y tinta sobre papel&#13;
montado sobre cartulina&#13;
15 x 21 cm</text>
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            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
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                <text>AXS_01983</text>
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          <element elementId="87">
            <name>Audience Education Level</name>
            <description>A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended.</description>
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                <text>Número de catálogo razonado: 0581</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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          <element elementId="42">
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="50822">
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          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="50823">
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                <text>Firma e inscripciones&#13;
a.i.i. “1 XUL 1923”&#13;
Inscripciones de terceros&#13;
Véase Observaciones&#13;
Documentación&#13;
MCSS, [Documentos relativos a exposiciones, venta&#13;
de obras, coleccionistas], 1963-1984: n. [039].&#13;
MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
Aires], 1963-1984: p. 54, 61, 64, 67 y 68.&#13;
MCSS, [Diapositivas y movimientos de obras], [Buenos&#13;
Aires], 1964-1983: [Ventas a coleccionistas], p. 8.&#13;
Registro fotográfico histórico&#13;
Diapositivas de obras realizadas por encargo de MCSS,&#13;
1967, cajas I-III y V: Caja III, n. [80] [fuera de listado].&#13;
Anónimo, reproducción de Piai, 1978, copia de época,&#13;
gelatina de plata, 9 x 12 cm, Copias de época certificadas&#13;
(FIAC 78), FO-19/ 1 a 32, n. 10, AD-FPK.&#13;
Exposiciones&#13;
Xul Solar (1887-1963) OEuvres de 1915 à 1962, París,&#13;
Grand Palais / Galería Rubbers / FIAC 78, Art Contemporain,&#13;
20-29 de octubre de 1978, n. 13.&#13;
Xul Solar: obras 1920-1962, Buenos Aires, Galería Rubbers,&#13;
17 de mayo-6 de junio de 1979.&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes,&#13;
septiembre de 1998.&#13;
Xul Solar: Works 1916-1963, Estocolmo, Moderna Museet,&#13;
mayo - agosto de 1998.&#13;
Culturgest. Das vanguardas ao fim do milenio, Lisboa,&#13;
Edifício-Sede da Caixa Geral de Depósitos, 23 de abril&#13;
al 1 de agosto, 1999.&#13;
Versiones del Sur: heterotopías, medio siglo sin-lugar&#13;
1916-1968, Madrid, Museo Nacional Centro de Arte&#13;
Reina Sofía, 12 de diciembre de 2000-26 de marzo de&#13;
2001, reprod. p. 143.&#13;
Inverted Utopias. Avant-Garde Art in Latin America,&#13;
Houston, The Museum of Fine Arts, 20 de junio-20 de&#13;
septiembre, 2004, reprod. p. 24.&#13;
Claridad: la vanguardia en lucha, Buenos Aires, Museo&#13;
Nacional de Bellas Artes, 15 de marzo al 20 de&#13;
mayo, 2012, reprod. s.p.&#13;
En algunas de sus obras realizadas durante 1923,&#13;
además de la inscripción de su firma y el año, Xul incluyó&#13;
un número cuya secuencia parece indicar el orden&#13;
en que las fue ejecutando: 1. Piai, 2. Victrix rósea,&#13;
3. Hombres sierpes, 4. Mago, 5. Idilio, 7. América y 8.&#13;
Chaco; la obra que lleva el n. 6 no pudo ser identificada.&#13;
Dada la cantidad de pinturas documentadas para&#13;
ese año, es probable que abandonara esa prácticarápidamente. Una práctica que por lo demás retomó&#13;
muchos años después, en particular, para los conjuntos&#13;
realizados en 1949 y en 1955.&#13;
Para su ingreso a la colección del Museo Nacional de&#13;
Bellas Artes, véase Notas a Cuevas (Cat. 819).&#13;
Observaciones&#13;
El montaje actual de la obra –que presenta varias etiquetas,&#13;
entre ellas, inventario MNBA y de traslado a&#13;
exposiciones– no permite ver el reverso de la cartulina&#13;
que actúa como soporte.</text>
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            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="50825">
                <text>PAZOS, Luis, “Xul Solar, el primer adelantado”, Somos,&#13;
Buenos Aires, 1° de junio de 1979, reprod. p. 4&#13;
PACHECO, Marcelo E., “An Aproach to Social Realism&#13;
in Argentine Art: 1875-1945”, The Journal of Decorative&#13;
and Propaganda Arts, Miami, n. 18, 1992, p. 123-&#13;
137, reprod. s.p.&#13;
PACHECO, Marcelo E., “Rectificación de un itinerario&#13;
interrumpido”, Artinf, Buenos Aires, a. 16, n. 82, otoño&#13;
1992, p. 16-17, reprod. byn, p. 16.&#13;
ARMANDO, Adriana y Guillermo Fantoni, “Recorridos&#13;
americanos: algunos temas en Xul Solar” en: IV Jornadas&#13;
en Teoría e Historia del Arte: el arte entre lo público&#13;
y lo privado, CAIA, 1995, p. 297-315, www.caia.org.ar/&#13;
docs/Armando-Fantoni.pdf, último acceso 1/8/14.&#13;
ARMANDO, Adriana y Guillermo Fantoni, “Presencias&#13;
del pasado. Xul Solar”, Artinf, Buenos Aires, a. 20, n.&#13;
94, invierno 1996, p. 20-21, reprod. byn. p. 21.&#13;
ARTUNDO, Patricia M., “Pupo” en: Museo Nacional de&#13;
Bellas Artes: colección, Buenos Aires, Asociación Amigos&#13;
Museo Nacional de Bellas Artes, 2010, p. 272-274,&#13;
reprod. p. 274.&#13;
ARTUNDO, Patricia M., “Pupo” en: Museo Nacional de&#13;
Bellas Artes: colección, Buenos Aires, Museo Nacional&#13;
de Bellas Artes / Clarín, v. 9, Arte siglo XX, parte 3, p.&#13;
956-958, reprod. p. 958.&#13;
BASTOS KERN, Maria Lúcia, “Las vanguardias latinoamericanas:&#13;
proyectos políticos y estéticos” en:&#13;
Laurens Dhaenens (ed.), Arte desde América Latina:&#13;
moderno y contemporáneo, Bélgica, Lannoo, 2015, p.&#13;
80-95, reprod. p. 80.</text>
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          <element elementId="70">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="50826">
                <text>Museo Nacional de Bellas Artes</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="91">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="50827">
                <text>Fundación Pan Klub - Museo Xul Solar</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="50800">
                <text>Xul Solar, Alejandro (1887-1963)</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50801">
                <text>Rejas</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
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            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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              </elementText>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50804">
                <text>Rejas, 1955&#13;
Tinta sobre papel montado sobre cartón&#13;
16,9 x 22,2 cm, montaje 22,5 x 28 cm</text>
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            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="50805">
                <text>AXS_02772</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="87">
            <name>Audience Education Level</name>
            <description>A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended.</description>
            <elementTextContainer>
              <elementText elementTextId="50806">
                <text>Número de catalogo razonado: 1377</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50807">
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              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50808">
                <text>pintura</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="50809">
                <text>tinta</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="71">
            <name>Is Referenced By</name>
            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
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              <elementText elementTextId="50810">
                <text>Firma e inscripciones&#13;
a.i.d. “XUL”; a.i.i. “1955”&#13;
Inscripciones de terceros&#13;
Sin información, véase Observaciones&#13;
Documentación&#13;
MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista&#13;
diap. del Museo de Bellas Artes (Svanascini) [1963]”; y&#13;
papeles sueltos [01-05]: listado I, n. 334.&#13;
MCSS, [Diapositivas y movimientos de obras], [Buenos&#13;
Aires], 1964-1983: “Diapositivas de Xul Solar”, p. 22.&#13;
Inv. FPK: “210 REJAS 1955 -″- -″- 17 x 22 1/2”.&#13;
Registro fotográfico histórico&#13;
Diapositivas de obras realizadas por encargo de MCSS,&#13;
1967, cajas I-III y V: caja I, n. 331.&#13;
Exposiciones&#13;
Xul Solar: the Architectures, Londres, Courtauld Institute Galleries, 1994, n. 51, reprod. byn p. 46.&#13;
Observaciones&#13;
Para el estado actual del reverso, véase Observaciones a Cat. 1343.&#13;
En el reverso, sobre el segundo cartón: “CAT. 51/ INV.&#13;
210” [MRC?].</text>
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            </elementTextContainer>
          </element>
          <element elementId="80">
            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="50811">
                <text>Bibliografía&#13;
GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos&#13;
Aires, Alba/Bunge y Born, 1994, n. 152, reprod. p. 194.&#13;
GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos Aires, Alba/ Bunge y Born; Nueva York, Harry N.&#13;
Abrams, Inc., Publishers, 1996, n. 152, reprod. p. 194.</text>
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            </elementTextContainer>
          </element>
          <element elementId="70">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="50812">
                <text>Fundación Pan Klub, Buenos Aires</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="91">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="50813">
                <text>Fundación Pan Klub-Museo Xul Solar</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="61180">
                <text>1955</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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          <element elementId="50">
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50788">
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              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              </elementText>
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          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="50790">
                <text>1923</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50791">
                <text>Tlaloc, 1923&#13;
Acuarela y gouache sobre papel&#13;
originalmente montado sobre [cartulina?]&#13;
26 x 32,5 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="50792">
                <text>AXS_01982</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="87">
            <name>Audience Education Level</name>
            <description>A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended.</description>
            <elementTextContainer>
              <elementText elementTextId="50793">
                <text>Número de catálogo razonado: 0580</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50794">
                <text>pinturas</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
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                <text>Firma e inscripciones&#13;
c.i. “Xul 1923”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Obras asociadas&#13;
Tlaloc (divo lluvi), (Cat. 579)&#13;
Registro fotográfico histórico&#13;
Anónimo, reproducción de Tlaloc, [192?], copia de&#13;
época, gelatina de plata, 15,5 x 17 cm, Serie Fotografías&#13;
de obras, FO-01/ 1 a 60, n. 27, AD-FPK.&#13;
Exposiciones&#13;
Los raros: Burgoa Videla, Cúnsolo, Gramajo Gutiérrez,&#13;
Guzmán Loza, Schiavone, Xul Solar, Buenos Aires, Galería&#13;
Vermeer, 1982, n. 35, reprod. byn p. 11.&#13;
Xul Solar - J.L. Borges: Língua e Imagem, Rio de Janeiro,&#13;
Centro Cultural Banco do Brasil, 2 de octubre - 11&#13;
de enero de 1997; San Pablo, Fundacão Memorial da&#13;
América Latina, 23 de enero - 1° de marzo de 1998,&#13;
reprod. p. 26.&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes,&#13;
septiembre de 1998, reprod. p. 35.&#13;
Versiones del Sur: heterotopías, medio siglo sin-lugar&#13;
1916-1968, Madrid, Museo Nacional Centro de Arte&#13;
Reina Sofía, 12 de diciembre de 2000-26 de marzo de&#13;
2001, reprod. p. 143.&#13;
Xul Solar, Madrid, Museo Nacional Centro de Arte Reina&#13;
Sofía, 2002, n. 37, reprod. p. 109.&#13;
Artistas modernos rioplatenses en Europa, Buenos&#13;
Aires, Malba - Colección Costantini, 17 de octubre de&#13;
2002 al 27 de enero de 2003, n. 91, reprod. p. 72.&#13;
Xul Solar: visiones y revelaciones, Buenos Aires; San&#13;
Pablo; Houston; México DF, 2005-2006, n. 57, p. 113.&#13;
Vasos comunicantes: vanguardias latinoamericanas y&#13;
Europa. 1900-1950, Segovia, Museo de Arte Contemporáneo&#13;
Esteban Vicente, 2006-2007, reprod. p. 119.&#13;
RANGEL, Gabriela (ed.), Xul Solar and Jorge Luis Borges:&#13;
The Art of Friendship, Nueva York, Americas Society&#13;
Art Gallery / Phoenix Art Museum, del 18 de abrilal 20 de julio; 21 de septiembre al 31 de diciembre, 2013, reprod. p. 86-87.&#13;
Notas&#13;
Tlaloc perteneció, al igual que San Montes lejos (Cat.&#13;
781), a Jorge L. Borges, la primera adquirida por él y&#13;
la segunda recibida al mismo tiempo como obsequio&#13;
del artista por su compra.</text>
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          <element elementId="80">
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              <elementText elementTextId="50798">
                <text>GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos&#13;
Aires, Alba / Bunge y Born, 1994, n. 67, reprod. p. 84.&#13;
TORRE BORGES, Miguel de, Un día de Jorge Luis Borges,&#13;
Buenos Aires, s.n., 1995, p. 6.&#13;
GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos&#13;
Aires, Alba / Bunge y Born; Nueva York, Harry N.&#13;
Abrams, Inc., Publishers, 1996, n. 67, reprod. p. 84.&#13;
ARMANDO, Adriana y Guillermo Fantoni, “Recorridos&#13;
americanos: algunos temas en Xul Solar” en: IV Jornadas&#13;
en Teoría e Historia del Arte: el arte entre lo público&#13;
y lo privado, CAIA, 1995, p. 297-315, www.caia.org.ar/&#13;
docs/Armando-Fantoni.pdf, último acceso 1/8/14.&#13;
ARMANDO, Adriana y Guillermo Fantoni, “Presencias&#13;
del pasado. Xul Solar”, Artinf, Buenos Aires, a. 20, n.&#13;
94, invierno 1996, p. 20-21.&#13;
ARMANDO, Adriana y Guillermo Fantoni, “Dioses y códices&#13;
prehispánicos en la obra de Xul Solar”, Ciencia&#13;
hoy, Universidad Nacional de Rosario, Facultad de&#13;
Humanidades y Arte, v. 7, n. 37, 1997, p. 25-32.&#13;
LÓPEZ ANAYA, Jorge, “Un pintor visionario”, Lápiz,&#13;
Madrid, a. 21, n. 181, marzo de 2002, p. 44-55, reprod.&#13;
p. [46].&#13;
GUTIÉRREZ ZALDÍVAR, Ignacio, El arte de los argentinos:&#13;
Xul Solar, Buenos Aires, Atlántida, 2009, reprod.&#13;
p. 25.&#13;
ARTEAGA, Alicia de, “Destellos planetarios en el año&#13;
de Xul Solar”, ADN Cultura, La Nación, Buenos Aires,&#13;
viernes 23 de agosto de 2013, p. 4-7, reprod. tapa.&#13;
BORGES, Jorge Luis, Jorge L. Borges recuerda a Xul Solar:&#13;
prólogos y conferencias, 1949-1980, introducción&#13;
y notas Patricia M. Artundo, Buenos Aires, Fundación&#13;
Pan Klub / Fundación Internacional Jorge Luis Borges,&#13;
2013.</text>
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          <element elementId="70">
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              <elementText elementTextId="50799">
                <text>Colección particular, Buenos Aires</text>
              </elementText>
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                <text>Xul Solar, Alejandro (1887-1963)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="50775">
                <text>Muralla</text>
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            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
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            <elementTextContainer>
              <elementText elementTextId="50776">
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              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50778">
                <text>Muralla, 1955&#13;
Tinta sobre papel montado sobre cartón&#13;
17 x 22,5 cm;&#13;
montaje [medidas aproximadas] 23 x 28 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="50779">
                <text>AXS_02771</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="87">
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            <description>A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended.</description>
            <elementTextContainer>
              <elementText elementTextId="50780">
                <text>Número de catalogo razonado: 1376</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50781">
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              </elementText>
            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50782">
                <text>pintura</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="50783">
                <text>tinta</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="71">
            <name>Is Referenced By</name>
            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
            <elementTextContainer>
              <elementText elementTextId="50784">
                <text>Firma e inscripciones&#13;
e.d.c. “XUL”; i.d. “1955”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista&#13;
diap. del Museo de Bellas Artes (Svanascini) [1963]”; y&#13;
papeles sueltos [01-05]: listado I, n. 337.&#13;
MCSS, [Diapositivas y movimientos de obras], [Buenos&#13;
Aires], 1964-1983: “Diapositivas de Xul Solar”, p. 22.&#13;
Registro fotográfico histórico&#13;
Diapositivas de obras realizadas por encargo de MCSS,&#13;
1967, cajas I-III y V: caja I, n. 337.&#13;
Observaciones&#13;
La localización actual de esta tinta es desconocida.&#13;
Sin embargo, en un documento –[Diapositivas y movimientos de obras], p. 22– la viuda consignó al lado&#13;
del título de la obra “Thimermann”. Esto permite suponer que la tinta pasó a manos de Jacobo Timerman&#13;
en 1975, año en que La Opinión Cultural (suplemento&#13;
del diario homónimo) en su edición del domingo 15&#13;
de junio, dedicó un número a Xul Solar, aunque si así&#13;
fue, ignoramos en qué condiciones.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="70">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="50785">
                <text>Desconocida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="91">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="50786">
                <text>Fundacion Pan Klub-Museo Xul Solar</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="61179">
                <text>1955</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
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          <element elementId="90">
            <name>Provenance</name>
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            <elementTextContainer>
              <elementText elementTextId="50759">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50760">
                <text>Paisaje en biombos</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50761">
                <text>Xul Solar, Alejandro, 1887-1963</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
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                <text>1955</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="50763">
                <text>Muros-biombos</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50764">
                <text>Paisaje en biombos, 1955&#13;
Tinta sobre papel [originalmente montado sobre cartón]&#13;
17 x 22,5 cm, montaje [medidas aproximadas] 23 x 28 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="50765">
                <text>AXS_02770</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="87">
            <name>Audience Education Level</name>
            <description>A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended.</description>
            <elementTextContainer>
              <elementText elementTextId="50766">
                <text>Número de catalogo razonado: 1375</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50767">
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              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50768">
                <text>pintura</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="50769">
                <text>tinta</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="71">
            <name>Is Referenced By</name>
            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
            <elementTextContainer>
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                <text>Firma e inscripciones&#13;
a.i.d. “XUL”; i.d. “1955”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
AXS, primera idea para Paisaje en biombos, en Cuaderno sin marca, datado 1948, CA-35, AD- FPK.&#13;
MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista&#13;
diap. del Museo de Bellas Artes (Svanascini) [1963]”;&#13;
y papeles sueltos [01-05]: listado I, n. 331.&#13;
MCSS, [Diapositivas y movimientos de obras], [Buenos&#13;
Aires], 1964-1983: “Diapositivas de Xul Solar”, p. 22.&#13;
Inv. FPK: “208 PAISAJE EN BIOMBOS 1955 -″- -″- 17 x&#13;
22 1/2”.&#13;
Registro fotográfico histórico&#13;
Diapositivas de obras realizadas por encargo de MCSS,&#13;
1967, cajas I-III y V: caja I, n. 331.&#13;
Exposiciones&#13;
Xul Solar: the Architectures, Londres, Courtauld Institute Galleries, 1994, n. 50, reprod. byn p. 47.&#13;
Xul Solar: tintas 1955, Buenos Aires, Galería Rubbers&#13;
Internacional, agosto-septiembre, 2006, n. [1].&#13;
Observaciones&#13;
En el reverso del enmarcado actual de la obra: “208”&#13;
[anónimo] y datos técnicos.</text>
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            </elementTextContainer>
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          <element elementId="80">
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            <elementTextContainer>
              <elementText elementTextId="50771">
                <text>Bibliografía&#13;
GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos&#13;
Aires, Alba/Bunge y Born, 1994, n. 159, reprod. p. 198&#13;
[con el título Muros-Biombo].&#13;
GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos Aires, Alba/ Bunge y Born; Nueva York, Harry N.&#13;
Abrams, Inc., Publishers, 1996, n. 159, reprod. p. 198&#13;
[con el título Muros-Biombo].</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="70">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="50772">
                <text>Colección particular, Buenos Aires</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="91">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="50773">
                <text>Fundacion Pan Klub-Museo Xul Solar</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="90">
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              <elementText elementTextId="50732">
                <text>Xul Solar, Alejandro (1887-1963)</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50733">
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            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
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            <elementTextContainer>
              <elementText elementTextId="50734">
                <text>Xul Solar, Alejandro, 1887-1963</text>
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          <element elementId="56">
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                <text>1923</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50736">
                <text>Nana-Watzin, 1923&#13;
Acuarela y gouache sobre papel&#13;
25,5 x 31, 5 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="50737">
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              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="87">
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            <elementTextContainer>
              <elementText elementTextId="50738">
                <text>Número catálogo razonado: 0578</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
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                <text>Firma e inscripciones&#13;
c.i. “XUL/ [ilegible] 1923”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
MCSS, [Documentos relativos a exposiciones, venta&#13;
de obras, coleccionistas], 1963-1984: p. 34 y 36.&#13;
MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
Aires], 1963-1984: 42, 48 y 57.&#13;
MCSS, [Diapositivas y movimientos de obras], [Buenos&#13;
Aires], 1964-1983: [Ventas a coleccionistas], p. 3.&#13;
Exposiciones&#13;
Xul Solar 1887-1963, París, Musée d’Art Moderne de la&#13;
Ville de Paris, 20 de octubre-27 de noviembre de 1977,&#13;
n. 16.&#13;
Xul Solar: obras 1919/1962, Buenos Aires, Galería Rubbers,&#13;
mayo-junio, 1978, n. 16, reprod. byn.&#13;
Los raros: Burgoa Videla, Cúnsolo, Gramajo Gutiérrez,&#13;
Guzmán Loza, Schiavone, Xul Solar, Buenos Aires, Galería&#13;
Vermeer, 1982, n. 35, reprod. byn. p. 5 [detalle]&#13;
y 11.&#13;
Artistas latinoamericanos del siglo XX, Sevilla, Estación&#13;
Plaza de Armas, Comisaría de la Ciudad de Sevilla,&#13;
The Museum of Modern Art, 11 de agosto al 12 de&#13;
octubre, 1992, reprod. p. 156.&#13;
Art d’Amérique latine, París, Museé National D’Art Moderne,&#13;
Centre Georges Pompidou, 10 de noviembre&#13;
de 1992 al 11 de enero de 1993.&#13;
Lateinamerikanische Kunst, Colonia, Kunsthalle Cologne,&#13;
Ludwig Museum, 8 de febrero al 25 de abril,&#13;
1993, reprod. p. 71.&#13;
Latin American Artists of the Twentieth Century, New&#13;
York, The Museum of Modern Art, 2 de junio al 7 de&#13;
septiembre de 1993, reprod. p. 365.&#13;
20 obras maestras: arte argentino del siglo XX, Buenos&#13;
Aires, Banco Velox, Museo Nacional de Arte Decorativo,&#13;
marzo-abril de 1996, reprod. p. 73.&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes,&#13;
septiembre de 1998.&#13;
Inverted Utopias. Avant-Garde Art in Latin America,&#13;
Houston, The Museum of Fine Arts, 20 de junio-20 de&#13;
septiembre, 2004, reprod. p. 23.&#13;
Redes de vanguardia: Amauta y América Latina, Museo Nacional Centro de Arte Reina Sofía, Madrid, 20 de febrero al 27 de mayo, 2019; Museo de Arte de Lima, 20 de junio al 22 de septiembre, 2019; Museo del Palacio de Bellas Artes, Ciudad de México, 17 de octubre, 2019 al 12 de enero, 2020; Blanton Museum of Art, Austin, 16 de febrero al 17 de mayo, 2020, reprod. p. 207.&#13;
Observaciones&#13;
Entre la firma y el año hay otra inscripción del artista&#13;
que es ilegible. Para las inscripciones en las obras&#13;
realizadas durante 1923, véase Notas a Piai (Cat. 581).</text>
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                <text>Bibliografía&#13;
SVANASCINI, Osvaldo, “Alejandro Xul Solar”, en Gabriel&#13;
Levinas (editor), Arte argentino contemporáneo, Madrid,&#13;
Editorial Ameris, Jorge Garfunkel, 1979, reprod.&#13;
byn p. 51.&#13;
TAVERNA YRIGOYEN, Jorge [i.e. Jorge López Anaya],&#13;
Pintores argentinos del siglo XX. Xul Solar, Buenos Aires,&#13;
CEAL, n. 27, 1980, reprod. p. 5.&#13;
NELSON, Daniel, “Alejandro Xul Solar”, Latin American&#13;
Art, Scottsdale, vol. 3, n. 3, otoño, 1991, p. 28-29, reprod.&#13;
p. 29.&#13;
NELSON, Daniel, “Xul Solar: world-maker” en: Waldo&#13;
Rasmussen, Fatima Bercht y Ellizabeth Ferrer (ed.),&#13;
Latin American Artists of the Twentieth Century, Nueva&#13;
York, The Museum of Modern Art, junio-septiembre,&#13;
1993, p. 46-51.&#13;
AMBROSINI, Silvia de, “Surrealismo, Xul Solar”, Artinf,&#13;
Buenos Aires, a. 17, n. 84, otoño 1993, p. 22-23,&#13;
reprod. byn, p. 23.&#13;
GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos&#13;
Aires, Alba / Bunge y Born, 1994, n. 68, reprod. p. 85.&#13;
ARMANDO, Adriana y Guillermo Fantoni, “Sobre el primitivismo&#13;
en la obra de Xul Solar”, El Dorado. Del fin&#13;
de siglo a las vanguardias, Rosario, a. 1, n. 1, primer&#13;
semestre de 1994, p. 49-57, reprod. p. 57.&#13;
ARMANDO, Adriana y Guillermo Fantoni, “Recorridos&#13;
americanos: algunos temas en Xul Solar” en: IV&#13;
Jornadas en Teoría e Historia del Arte: el arte entre&#13;
lo público y lo privado, CAIA, 1995, p. 297-315, www.&#13;
caia.org.ar/docs/Armando-Fantoni.pdf, último acceso&#13;
1/8/14.&#13;
ARMANDO, Adriana y Guillermo Fantoni, “Presencias&#13;
del pasado. Xul Solar”, Artinf, Buenos Aires, a. 20, n.&#13;
94, invierno 1996, p. 20-21.&#13;
GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos&#13;
Aires, Alba / Bunge y Born; Nueva York, Harry N.&#13;
Abrams, Inc., Publishers, 1996, n. 68, reprod. p. 85.&#13;
PACHECO, Marcelo E., “Vectores y vanguardias”, Lápiz,&#13;
Madrid, a. 19, n. 158/159, diciembre 1999-enero&#13;
2000, p. 31-37, reprod. p. 36.</text>
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          <element elementId="41">
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          <element elementId="87">
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            <elementTextContainer>
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          <element elementId="51">
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          <element elementId="79">
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i.i. “1955” y “XUL”&#13;
Inscripciones de terceros&#13;
En el reverso, sobre el cartón: “(8” y “PRISIÓN, 1955/&#13;
diap. D. 323, 22 1/2 x 17, d. y t.” [MCSS]; “214” [MRC].&#13;
Documentación&#13;
AXS, primera idea para Prisión, en Cuaderno marca&#13;
“Cardenalito”, datado 1955, CA-48, AD-FPK.&#13;
MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista&#13;
diap. del Museo de Bellas Artes (Svanascini) [1963]”; y&#13;
papeles sueltos [01-05]: listado I, n. 323.&#13;
MCSS, [Diapositivas y movimientos de obras], [Buenos&#13;
Aires], 1964-1983: “Diapositivas de Xul Solar”, p. 22.&#13;
Inv. FPK: “214 PRISIÓN 1955 -″- -″- 17 x 22 1/2”.&#13;
Registro fotográfico histórico&#13;
Diapositivas de obras realizadas por encargo de MCSS,&#13;
1967, cajas I-III y V: caja I, n. 323.&#13;
Observaciones&#13;
Acerca del título, véase Observaciones a Prisión, (Cat.&#13;
1353).</text>
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            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="50730">
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          </element>
          <element elementId="91">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="50731">
                <text>Fundación Pan Klub-Museo Xul Solar</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="52">
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          <element elementId="50">
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            <description>A name given to the resource</description>
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          <element elementId="41">
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            </elementTextContainer>
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              </elementText>
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Documentación&#13;
MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
Aires], 1963-1984: p. 55 y [74?].&#13;
Inv. FPK: “1343 Chaco (2) 1923 acuarela 12 x 24,5”.&#13;
Exposiciones&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes,&#13;
septiembre de 1998, reprod, p. 44.</text>
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        <src>http://www.xulsolar.org.ar/archivo/files/original/91d427580ba6f89a5b0bd9bfdc74fa0b.tif</src>
        <authentication>b133f29c6fdbc78da9f46445bcde77e2</authentication>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="50679">
                <text>Xul Solar, Alejandro (1887-1963)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50680">
                <text>Sin título</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50681">
                <text>Xul Solar, Alejandro, 1887-1963</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50683">
                <text>Sin título, 1955&#13;
Tinta sobre papel&#13;
17 x 22,2 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="50684">
                <text>AXS_02766</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="87">
            <name>Audience Education Level</name>
            <description>A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended.</description>
            <elementTextContainer>
              <elementText elementTextId="50685">
                <text>Número de catalogo razonado: 1372</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50686">
                <text>pinturas</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="50687">
                <text>pintura</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="50688">
                <text>tinta</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="71">
            <name>Is Referenced By</name>
            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
            <elementTextContainer>
              <elementText elementTextId="50689">
                <text>Firma e inscripciones i.d. “XUL”; “1955” Inscripciones de terceros En el reverso: “48” [anónimo]; “709.” [MRC]. Documentación Inv. FPK: “709 S/T 1955 TINTA 16 x 22”.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="70">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="50690">
                <text>Fundación Pan Klub, Buenos Aires</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="91">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="50691">
                <text>Fundación Pan Klub-Museo Xul Solar</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="61176">
                <text>1955</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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