56 20 3014 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Xul Solar, Alejandro (1887-1963) Title A name given to the resource Horóscopo Creator An entity primarily responsible for making the resource Xul Solar, Alejandro, 1887-1963 Date Created Date of creation of the resource. 1927 Description An account of the resource Horóscopo, 1927 Acuarela y tinta sobre papel montado sobre cartulina 13,5 x 20 cm, montaje 17 x 23 cm Identifier An unambiguous reference to the resource within a given context AXS_02103 Audience Education Level A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended. Número de catálogo razonado: 0709 Type The nature or genre of the resource pinturas Format The file format, physical medium, or dimensions of the resource pintura Medium The material or physical carrier of the resource. pintura Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Firma e inscripciones c.i. “X. 1922” Inscripciones de terceros Sin información Documentación MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos Aires], 1963-1984: p. 53. Inv. FPK: “1144 Horóscopo 1927 -″- 13,5 x 10”. Exposiciones Art from Argentina: Argentina 1920-1994, Oxford, The Museum of Modern Art, 1994; Sudwestdeutsche Landesbank, 1995; Londres, Royal College of Art Galleries, 1995; Lisboa, Fundação das Descobertas/Centro Cultural de Belém, 1995; Buenos Aires, Centro Cultural Borges, 1995, n. 83, reprod. p. 37. Arte en Argentina: Argentina 1920-1994, Buenos Aires, Fundación para las Artes - Centro Borges, 18 de octubre al 22 de diciembre, 1995, n. 83, reprod. p. 37. Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes, septiembre de 1998, n. 83, reprod. p. 74. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. GRADOWCZYK, Mario H., “Xul”, Plaza Mayor, Buenos Aires, n. 34, ca. 1994, p. 56-65, reprod. p. 63. Is Part Of A related resource in which the described resource is physically or logically included. [Colección particular, Buenos Aires] Rights Holder A person or organization owning or managing rights over the resource. Fundación Pan Klub - Museo Xul Solar Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Xul Solar, Alejandro (1887-1963) Title A name given to the resource Sin título Creator An entity primarily responsible for making the resource Xul Solar, Alejandro, 1887-1963 Date Created Date of creation of the resource. [1927?] Description An account of the resource Sin título, [1927?] Acuarela y tinta sobre papel montado sobre cartulina [Medidas desconocidas] Identifier An unambiguous reference to the resource within a given context AXS_02102 Audience Education Level A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended. Número de catálogo razonado: 0708 Type The nature or genre of the resource pinturas Format The file format, physical medium, or dimensions of the resource pintura Medium The material or physical carrier of the resource. pintura Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Firma e inscripciones e.i.d. “[1927?]” y “Xul” Inscripciones de terceros Sin información Registro fotográfico histórico Recorte con reproducción de Sin título, en AXS, Cuaderno con reproducciones de obras, marca “Sol de Mayo”, posterior a 1929, CA-14, p. [7], AD-FPK. Recorte con reproducción de Sin título, en AXS, Cuaderno con reproducciones de obras, marca “Sol de Mayo”, posterior a 1929, CA-14, p. [9], AD-FPK. Observaciones La obra debe haber sido reproducida en alguna publicación de época, ya que los únicos registros conocidos son dos recortes periodísticos conservados por el artista. Is Part Of A related resource in which the described resource is physically or logically included. Localización desconocida Rights Holder A person or organization owning or managing rights over the resource. Fundación Pan Klub - Museo Xul Solar Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Xul Solar, Alejandro (1887-1963) Title A name given to the resource Otro puerto Creator An entity primarily responsible for making the resource Xul Solar, Alejandro, 1887-1963 Date Created Date of creation of the resource. [1927] Description An account of the resource Otro puerto, [1927] Acuarela y tinta sobre papel montado sobre cartón 27,5 x 37 cm Identifier An unambiguous reference to the resource within a given context AXS_02101 Audience Education Level A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended. Número de catálogo razonado: 0707 Type The nature or genre of the resource pinturas Format The file format, physical medium, or dimensions of the resource pintura Medium The material or physical carrier of the resource. pintura Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Inscripciones de terceros Sin información Documentación MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos Aires], 1963-1984: p. 42. MCSS, [Diapositivas y movimientos de obras], [Buenos Aires], 1964-1983: [Ventas a coleccionistas], p. 3. Exposiciones Art of The Fantastic Latin America 1920-1987, Indianapolis, Museum of Art; Nueva York, The Queens Museum; Miami, Center for the Fine Arts, junio-septiembre de 1987, reprod. p. 63 RASMUSSEN, Waldo (ed.), Artistas latinoamericanos del siglo XX, Sevilla, Estación Plaza de Armas, Comisaría de la Ciudad de Sevilla, The Museum of Modern Art, 11 de agosto al 12 de octubre, 1992, n. 13, reprod. p. 162. RASMUSSEN, Waldo (ed.), Art d’Amérique latine, París, Museé National D’Art Moderne, Centre Georges Pompidou, 10 de noviembre de 1992 al 11 de enero de 1993, reprod. byn, p. 36. Xul Solar (1887-1963). I Bienal de Artes Visuales del Mercosur, Buenos Aires, Fundación Banco Patricios, 31 de julio - 23 de agosto de 1997, reprod. s.p. I Bienal de Artes Visuais do Mercosul, Porto Alegre¸ Fundacão Bienal de Artes Visuais do Mercosul, 2 de octubre - 30 de noviembre de 1997, reprod. p. [26] Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes, septiembre de 1998, reprod. p. 69. Observaciones La pintura, aun cuando no está fechada, ha sido tradicionalmente datada en 1929; sin embargo, tanto por su estilo, técnica e iconografía, ella debe ser situada en 1927. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos Aires, Alba / Bunge y Born, 1994, n. 106, reprod. p. 137. GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos Aires, Alba / Bunge y Born; Nueva York, Harry N. Abrams, Inc., Publishers, 1996, n. 106, reprod. p. 137. BENDINGER, María C. G. de y Máximo A. BENDINGER, Motivos y razones: Jorge Luis Borges. Leopoldo Marechal. Xul Solar, Buenos Aires, [s.n.], 1999, reprod. p. 28. Is Part Of A related resource in which the described resource is physically or logically included. Colección particular, Buenos Aires Rights Holder A person or organization owning or managing rights over the resource. Fundación Pan Klub - Museo Xul Solar Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Xul Solar, Alejandro (1887-1963) Title A name given to the resource Criol pájaros Creator An entity primarily responsible for making the resource Xul Solar, Alejandro, 1887-1963 Description An account of the resource Criol pájaros, [1927] Acuarela sobre papel 27 x 32 cm Identifier An unambiguous reference to the resource within a given context AXS_02100 Audience Education Level A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended. Número de catálogo razonado: 0706 Type The nature or genre of the resource pinturas Format The file format, physical medium, or dimensions of the resource pintura Medium The material or physical carrier of the resource. pintura Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Inscripciones de terceros Sin información Documentación AXS, primera idea para Criol pájaros, en Libreta sin datar [1926?], CA-09. AD-FPK. MCSS, [Documentos relativos a exposiciones, venta de obras, coleccionistas], 1963-1984: n. [039]. MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos Aires], 1963-1984: p. 58 y 64. Inv. FPK: “1115 Creol pájaros 1927 acuarela 27 x 32”. Registro fotográfico histórico Anónimo, reproducción de Criol pájaros, 1978, copia de época, gelatina de plata, 12,1 x 8,8 cm, Copias de época certificadas (FIAC 78), FO-19/1 a 32, n. 13, ADFPK. Exposiciones Xul Solar (1887-1963) OEuvres de 1915 à 1962, París, Grand Palais / Galería Rubbers / FIAC 78, Art Contemporain, 20-29 de octubre de 1978, n. 12 Alejandro Xul Solar (1887-1963), New York, Rachel Adler Gallery, 2 de mayo - 8 de junio de 1991, n. 19, reprod. s.p. America, Bride of the Sun, 500 years. Latin America and the Low Countries, Bélgica, Royal Museum of Fine Arts Antwerp, 1° de febrero-31 de mayo de 1992, reprod. p. 425 [reproducida en espejo]. RANGEL, Gabriela, Xul Solar and Jorge Luis Borges: The Art of Friendship, Nueva York, Americas Society Art Gallery / Phoenix Art Museum, del 18 de abril al 20 de julio; 21 de septiembre al 31 de diciembre, 2013, reprod. p. 99. Subastas Latin American Paintings, Drawings and Sculpture, Christie’s, Nueva York, 21 y 22 de noviembre, 1989, lote 20, reprod. p. 48. Latin American Paintings, Drawings and Sculpture (Part I), Christie’s, Nueva York, 16 de noviembre, 1994, lote 20, reprod. p. 48. Latin American Art, Sotheby’s, Nueva York, 29 y 30 de mayo, 1997, lote 29, reprod. p. 54. Observaciones En el reverso del enmarcado actual de la obra: etiqueta de Rachel Adler Gallery, Nueva York. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Nota de la Redacción, “Alejandro Xul Solar”, Noticias de Arte, Nueva York, a. 16, mayo de 1991, reprod. byn, p. [1]. WILSON, Adolfo, El modernismo latinoamericano en las colecciones venezolanas: Argentina, Brasil, México, Venezuela, Caracas, Sidor, 2004, p. 38-45, reprod. p. 40 [reproducida en espejo]. Is Part Of A related resource in which the described resource is physically or logically included. Colección Patricia Phelps de Cisneros, Nueva York y Caracas Rights Holder A person or organization owning or managing rights over the resource. Fundación Pan Klub - Museo Xul Solar Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Xul Solar, Alejandro (1887-1963) Title A name given to the resource Puerto azul Creator An entity primarily responsible for making the resource Xul Solar, Alejandro, 1887-1963 Date Created Date of creation of the resource. 1927 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Puerto; Puerto periazul Description An account of the resource Puerto azul, 1927 Acuarela y tinta sobre papel [originalmente montado sobre cartón] 28 x 37 cm Identifier An unambiguous reference to the resource within a given context AXS_02099 Audience Education Level A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended. Número de catálogo razonado: 0705 Type The nature or genre of the resource pinturas Format The file format, physical medium, or dimensions of the resource pintura Medium The material or physical carrier of the resource. pintura Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Firma e inscripciones c.d.d. “Xul”. Inscripciones: c.d.d. “1927” Inscripciones de terceros En el reverso, [originalmente sobre el cartón retirado]: etiqueta [despegada] “Comisión Municipal de Bellas Artes de Rosario/ Obra expuesta en el Nuevo Salón/ Año 1929” con sello de la Comisión y firma [ilegible] de su presidente. Documentación Recorte con la reproducción de Puerto azul, en AXS, Cuaderno con reproducciones de obras, marca “Sol de Mayo”, posterior a 1929, CA-14, p. [7], AD-FPK. MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista diap. del Museo de Bellas Artes (Svanascini) [1963]”; y papeles sueltos [01 - 05]: listado II, n. 72; listado IV, n. 23, listado V, n. 43. MCSS, [Exposiciones 1920-1951, detalle de carpetas de obras, gastos 1949, cuadros existentes], [Buenos Aires], 1949-1966: p. 202, 239 y 242. MCSS, [Documentos relativos a exposiciones, venta de obras, coleccionistas], 1963-1984: n. [008], [011], [016], [017], [018] y [046]. MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos Aires], 1963-1984: p. 7, 11, 14, 18, 21, 22, 27 y 38. MCSS, [Diapositivas y movimientos de obras], [Buenos Aires], 1964-1983: “Diapositivas de Xul Solar”, p. 3 y 9. MCSS, [Detalle de carpetas de obras], [Buenos Aires], posterior a 1963: p. 3, 6 y 7. Inv. FPK: “23 Puerto azul 1927 28 x 37 acuarela”. Etiqueta despegada del reverso [cartón retirado que actuaba como soporte] de Puerto azul, en Conjunto de cartones y etiquetas retirados entre 1997 y 2001, n. 10, AD-FPK. Registro fotográfico histórico Diapositivas de obras realizadas por encargo de MCSS, 1967, cajas I-III y V: caja II, n. 72; caja V, n. 43. Exposiciones Exposición Xul Solar, Buenos Aires, Amigos del Arte, mayo de 1929 [con el título Puerto periazul]. Nuevo Salón. Año primero, Buenos Aires, Amigos del Arte, septiembre de 1929. Nuevo Salón. Año primero, Rosario, Comisión Municipal de Bellas Artes, 1929. Nuevo Salón. Año primero, La Plata, Asociación de las Artes, Museo Provincial de Bellas Artes, 1929-1930. Homenaje a Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes, octubre de 1963, n. 33. Xul Solar, Buenos Aires, Proar, 23 de agosto - 11 de septiembre de 1965, n. 19. III Bienal Americana de Arte. Exposición homenaje a Xul Solar, Córdoba, Museo Provincial de Bellas Artes Emilio Caraffa, octubre de 1966, n. 9. Surrealismo en la Argentina, Buenos Aires, Centro de Artes Visuales del Instituto Torcuato Di Tella, 9-28 de junio de 1967. Xul Solar: obras 1915/1962, Santa Fe, Museo Provincial de Bellas Artes Rosa Galisteo de Rodríguez, noviembre de 1967, n. 18. Homenaje a Xul Solar, La Plata, Museo Provincial de Bellas Artes, 17 de julio - 11 de agosto de 1968, n. 25. A 45 años del Nuevo Salón de Amigos del Arte, Buenos Aires, Vermeer Galería de Arte, agosto de 1974. Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes, septiembre de 1998, reprod. p. 67. Paul Klee invita a Xul Solar en el Museo Nacional de Bellas Artes, Buenos Aires, Museo Nacional de Bellas Artes, 1999, reprod. p.13. Vision Machine, Nantes, Musée des Beaux-Arts de Nantes, 13 de mayo-10 de septiembre de 2000. Xul Solar, Madrid, Museo Nacional Centro de Arte Reina Sofía, 2002, n. 63, reprod. 135. ArteBA 2002. 11 Feria de Galerías de Arte, Buenos Aires, La Rural, Rubbers, 13 al 21 de julio, 2002. Observaciones Para las obras expuestas en el Nuevo Salón, véase Notas a Sin título, (Cat. 625). Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. [Nota de la redacción], “Un grupo de pintores calificados como de vanguardia inaugurará hoy una exposición llamada Nuevo Salón en el local de los Amigos del Arte”, La Prensa, Buenos Aires, sección segunda, 12 de septiembre de 1929, reprod. byn [con el título Puerto]. SAFONS, Horacio, “Breve historia del pincel”, Primera Plana, Buenos Aires, 30 de noviembre de 1971, n. 461, reprod. byn. Xul Solar. Colección de obras del museo, Buenos Aires, Fundación Pan Klub - Museo Xul Solar, 1990, reprod. p. 64. Xul Solar. Collection of the Art Works in the Museum, Buenos Aires, Pan Klub Foundation - Xul Solar Museum, 1990, reprod. p. 64. PACHECO, Marcelo E., “Argentina”, en: Edward J. Sullivan (ed.), Latin American Art in the Twentieth Century, Phaidon, Londres, n. 280, reprod. p. 286. AMBROSINI, Silvia de, “Xul Solar y sus enigmas pictóricos”, Artinf, Buenos Aires, a. 17, n. 85, primavera 1993, p. 14-16, reprod. byn p. 15. GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos Aires, Alba / Bunge y Born, 1994, n. 105, reprod. p. 135. GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos Aires, Alba / Bunge y Born; Nueva York, Harry N. Abrams, Inc., Publishers, 1996, n. 105, reprod. p. 135. FÈVRE, Fermín, Xul Solar, Buenos Aires, Bifronte, El Ateneo, 2000, reprod. p. 20. CAMBIASO, Juan E., Pintura argentina, Buenos Aires, Maizal, 2001, reprod. portada. LÓPEZ ANAYA, Jorge, Xul Solar: una utopía espiritualista, Buenos Aires, Fundación Pan Klub - Museo Xul Solar, 2002, n. 92, reprod. p. 114. LÓPEZ ANAYA, Jorge, Xul Solar: A Spiritualistic Utopia, Buenos Aires, Pan Klub Foundation - Museo Xul Solar, 2002, n. 92, reprod. p. 114. BEROCAY, Roy, El puerto: arte para los más chicos, Buenos Aires, Ediciones Grupo Velox, 2002, reprod. s.p. GRAU, Didi e Irene Singer (il.), Mago Xul, el mundo de Xul para niños, Buenos Aires, Calibroscopio, Colección pinta tu aldea, 2009, reprod. p. 24. GUTIÉRREZ ZALDÍVAR, Ignacio, El arte de los argentinos: Xul Solar, Buenos Aires, Atlántida, 2009, reprod. p. 37. MICELI, Sergio, “Artistas ‘nacional-extranjeros’ en la vanguardia sudamericana (Lasar Segall y Xul Solar)” en: Vanguardas em retrocesso, Companhia das Letras, São Paulo, 2012, p. 143-156, n. 25, reprod. s.p. PACHECO, Marcelo E., “De las primeras vanguardias al informalismo” en: Marcelo E. Pacheco, Doscientos años de pintura argentina, Buenos Aires, Banco Hipotecario, vol. n. 2, p. 9-43, 2014, reprod. p. 85. Is Part Of A related resource in which the described resource is physically or logically included. Museo Xul Solar, Buenos Aires Rights Holder A person or organization owning or managing rights over the resource. Fundación Pan Klub - Museo Xul Solar Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Xul Solar, Alejandro (1887-1963) Title A name given to the resource Tito, drago, banderas Creator An entity primarily responsible for making the resource Xul Solar, Alejandro, 1887-1963 Date Created Date of creation of the resource. [1927] Description An account of the resource Tito, drago, banderas, [1927] Acuarela sobre papel 28,5 x 21,5 cm Identifier An unambiguous reference to the resource within a given context AXS_02098 Audience Education Level A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended. Número de catálogo razonado: 0704 Type The nature or genre of the resource pinturas Format The file format, physical medium, or dimensions of the resource pintura Medium The material or physical carrier of the resource. pintura Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Firma e inscripciones c.d.d. “Xul” Inscripciones de terceros Sin información Documentación MCSS, [Exposiciones 1920-1951, detalle de carpetas de obras, gastos 1949, cuadros existentes], [Buenos Aires], 1949-1966: p. 42 y 47. MCSS, [Diapositivas y movimientos de obras], [Buenos Aires], 1964-1983: [Ventas a coleccionistas], p. 4. Exposiciones Xul Solar: A Collector’s Vision, Nueva York, Rachel Adler Gallery, 1° de mayo - 30 de junio de 1993, n. 11, reprod. s.p. Is Part Of A related resource in which the described resource is physically or logically included. [Colección particular, Estados Unidos] Rights Holder A person or organization owning or managing rights over the resource. Fundación Pan Klub - Museo Xul Solar Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Xul Solar, Alejandro (1887-1963) Title A name given to the resource Drago Creator An entity primarily responsible for making the resource Xul Solar, Alejandro, 1887-1963 Date Created Date of creation of the resource. 1927 Description An account of the resource Drago, 1927 Acuarela, gouache y tinta sobre papel [originalmente montado sobre cartón] 25,5 x 32 cm Identifier An unambiguous reference to the resource within a given context AXS_02097 Audience Education Level A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended. Número de catálogo razonado: 0703 Type The nature or genre of the resource pinturas Format The file format, physical medium, or dimensions of the resource pintura Medium The material or physical carrier of the resource. pintura Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Firma e inscripciones i.d. “Xul”; i.d. “1927” Inscripciones de terceros En el reverso, sobre el cartón: etiqueta [retirada] “Comisión Municipal de Bellas Artes de Rosario/ Obra expuesta en el Nuevo Salón/ Año 1929” con sello de la Comisión y firma [ilegible] de su presidente; en la etiqueta “Drago/ Xul Solar” [MRC]. Obras relacionadas Mundo, (Cat. 665) Documentación MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista diap. del Museo de Bellas Artes (Svanascini) [1963]”; y papeles sueltos [01 - 05]: listado II, n. 55; listado IV, n. 91; listado V, n. 80; “Lista diap. del Museo de Bellas Artes (Svanascini) [1963]”, n. 305 MCSS, [Exposiciones 1920-1951, detalle de carpetas de obras, gastos 1949, cuadros existentes], [Buenos Aires], 1949-1966: p. 201, 240, 243. MCSS, [Documentos relativos a exposiciones, venta de obras, coleccionistas], 1963-1984: n. [008], [012], [016], [017], [018], [026], [028], [030] y [051]. MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos Aires], 1963-1984: p. 7, 11, 18, 22, 27, 33 y 38. MCSS, [Diapositivas y movimientos de obras], [Buenos Aires], 1964-1983, “Diapositivas de Xul Solar”: p. 4 y 8. MCSS, [Detalle de carpetas de obras], [Buenos Aires], posterior a 1963, p. 4, 10. Inv. FPK: “2 Drago 1927 25 1/2 x 32 acuarela”. Etiqueta despegada del reverso cartón retirado que actuaba como soporte de Drago, en Conjunto de cartones y etiquetas retirados entre 1997 y 2001, n. 11, AD-FPK. Registro fotográfico histórico Xul Solar, III Bienal Americana de Arte, Córdoba, FILMEdiciones Valero, 1966, [díptico con 9 diapositivas de obras], n. [177]. Diapositivas de obras realizadas por encargo de MCSS, 1967, cajas I-III y V: caja II, n. 55, caja V, n. 80. Exposiciones Nuevo Salón. Año primero, Buenos Aires, Amigos del Arte, septiembre de 1929. Nuevo Salón. Año primero, Rosario, Comisión Municipal de Bellas Artes, 1929. Nuevo Salón. Año primero, La Plata, Asociación de las Artes, Museo Provincial de Bellas Artes, 1929-1930. Homenaje a Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes, octubre de 1963, n. 23 Homenaje a Xul Solar: acuarelas, témperas, óleos, Buenos Aires, Galería Candilejas, 3 al 31 de mayo de 1965, n. 7. III Bienal Americana de Arte. Exposición homenaje a Xul Solar, Córdoba, Museo Provincial de Bellas Artes Emilio Caraffa, octubre de 1966, n. 14. Xul Solar: obras 1915/1962, Santa Fe, Museo Provincial de Bellas Artes Rosa Galisteo de Rodríguez, noviembre de 1967, n. 19. Homenaje a Xul Solar, La Plata, Museo Provincial de Bellas Artes, 17 de julio - 11 de agosto de 1968, n. 24. Xul Solar: retrospectiva: obras 1915-1962, Buenos Aires, Galería Rubbers, 19 de mayo-6 de junio de 1970, n. 11. A 45 años del Nuevo Salón de Amigos del Arte, Buenos Aires, Vermeer Galería de Arte, agosto de 1974. Xul Solar (1887-1963). I Bienal de Artes Visuais do Mercosul, Porto Alegre¸ Fundacão Bienal de Artes Visuais do Mercosul, 2 de octubre - 30 de noviembre de 1997, reprod. p. [23]. Xul Solar (1887-1963). I Bienal de Artes Visuales del Mercosur, Porto Alegre, Buenos Aires, Fundación Banco Patricios, 31 de julio - 23 de agosto de 1997, reprod. en tapa. Cuatro aspectos de la pintura argentina contemporánea: Xul Solar. Deira Noé Seguí De la Vega. Bonevardi Hlito Puente. García Herce Warck Meister Young, Madrid, Pabellón Latinoamericano. ARCO 97/Fondo Nacional de las Artes, 1997, reprod. p. [23]. Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes, septiembre de 1998, reprod. p. 65. Versiones del Sur: heterotopías, medio siglo sin-lugar 1916-1968, Madrid, Museo Nacional Centro de Arte Reina Sofía, 12 de diciembre de 2000-26 de marzo de 2001, reprod. p. 142. Xul Solar, Madrid, Museo Nacional Centro de Arte Reina Sofía, 2002, n. 62, reprod. 134. ArteBA 02. 11 Feria de arte contemporáneo, Buenos Aires, La Rural, Rubbers, julio, 2002. Inverted Utopias. Avant-Garde Art in Latin America, Houston, The Museum of Fine Arts, 20 de junio-20 de septiembre, 2004, n. 8, reprod. p. 24 Xul Solar: visiones y revelaciones, Buenos Aires; San Pablo; Houston; México DF, 2005-2006, n. 59, reprod. p. 116. Pinta. The Contemporary Latin American Art Fair, New York, Museo Xul Solar, Metropolitan Pavilion, 16 al 20 de noviembre de 2007. Realidad y utopía: 200 años de arte argentino: una visión desde el presente, Berlín, Akademie der Künste, 2 de octubre al 14 de noviembre de 2010, reprod. p. 105. Imágenes e historias. Argentina 1848-2010, Buenos Aires, Centro Cultural Recoleta, Fundación Mapfre, marzo-abril 2011, reprod. p. 28. RANGEL, Gabriela (ed.), Xul Solar and Jorge Luis Borges: The Art of Friendship, Nueva York, America Society Art Gallery / Phoenix Art Museum, del 18 de abril al 20 de julio; 21 de septiembre al 31 de diciembre, 2013, reprod. p. 103. Xul Solar, Olavarría, Museo Dámaso Arce, 19 de abril - 14 de junio, 2015. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. SVANASCINI, Osvaldo, Xul Solar, Buenos Aires, Ediciones Culturales Argentinas, 1962. [i.e. 1963], reprod. byn. Xul Solar. Colección de obras del museo, Buenos Aires, Fundación Pan Klub - Museo Xul Solar, 1990, reprod. p. 65. Xul Solar. Collection of the Art Works in the Museum, Buenos Aires, Pan Klub Foundation - Xul Solar Museum, 1990, reprod. p. 65. Is Part Of A related resource in which the described resource is physically or logically included. Museo Xul Solar, Buenos Aires Rights Holder A person or organization owning or managing rights over the resource. Fundación Pan Klub - Museo Xul Solar Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Xul Solar, Alejandro (1887-1963) Title A name given to the resource Otro drago Creator An entity primarily responsible for making the resource Xul Solar, Alejandro, 1887-1963 Date Created Date of creation of the resource. 1927 Description An account of the resource Otro drago, 1927 Acuarela, gouache y tinta sobre papel montado sobre cartón 23 x 31 cm Identifier An unambiguous reference to the resource within a given context AXS_02096 Audience Education Level A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended. Número de catálogo razonado: 0702 Type The nature or genre of the resource pinturas Format The file format, physical medium, or dimensions of the resource pintura Medium The material or physical carrier of the resource. pintura Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Firma e inscripciones e.i.d. “Xul” y “1927” Inscripciones de terceros Sin información Obras relacionadas Sin título, (Cat. 1657); Sin título (Cat. 1658) Documentación MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista diap. del Museo de Bellas Artes (Svanascini) [1963]”; y papeles sueltos [01 - 05]: listado I, n. 224; listado III, n. 4. MCSS, [Documentos relativos a exposiciones, venta de obras, coleccionistas], 1963-1984: p. [032], [034] y [037] MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos Aires], 1963-1984: p. 41 y 46. MCSS, [Diapositivas y movimientos de obras], [Buenos Aires], 1964-1983: “Diapositivas de Xul Solar”, p. 17; [Ventas a coleccionistas], p. 5. MCSS, [Detalle de carpetas de obras], [Buenos Aires], posterior a 1963: p. 2. Registro fotográfico histórico Anónimo, reproducción de Otro drago, 1977, copia de época, gelatina de plata, 7,8 x 10,2 cm, Copias de época posteriores a 1963 (Musée d’Art Moderne, París, 1977), FO-24/1 a 63, n. 30, AD-FPK. [Edgardo Cristiano], reproducción de Otro drago, 1977, copia de época, gelatina de plata, 9 x 14 cm, Copias de época, FO-30/ 1 a 24, n. 17, AD-FPK. Exposiciones Xul Solar: 1884/1963, Buenos Aires, Galería Rubbers, mayo de 1976, n. 15. Xul Solar 1887-1963, París, Musée d’Art Moderne de la Ville de Paris, 20 de octubre-27 de noviembre de 1977, n. 28, reprod. byn s.p. Xul Solar: obras 1919/1962, Buenos Aires, Galería Rubbers, mayo-junio, 1978, n. 28, reprod. byn s.p. Art from Argentina: Argentina 1920-1994, Oxford, The Museum of Modern Art, 1994; Sudwestdeutsche Landesbank, 1995; Londres, Royal College of Art Galleries, 1995; Lisboa, Fundação das Descobertas/Centro Cultural de Belém, 1995; Buenos Aires, Centro Cultural Borges, 1995, n. 85, reprod. p. 39. Arte en Argentina: Argentina 1920-1994, Buenos Aires, Fundación para las Artes - Centro Borges, 18 de octubre al 22 de diciembre, 1995, n. 85, reprod. p. 39 [obra no expuesta]. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos Aires, Alba / Bunge y Born, 1994, n. 97, reprod. p. 124. GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos Aires, Alba / Bunge y Born; Nueva York, Harry N. Abrams, Inc., Publishers, 1996, n. 97, reprod. p. 124. BENDINGER, María C. G. de y Máximo A. Bendinger, Motivos y razones: Jorge Luis Borges. Leopoldo Marechal. Xul Solar, Buenos Aires, [s.n.], 1999, reprod. p. 33. PACHECO, Marcelo E., “De las primeras vanguardias al informalismo” en: Marcelo E. Pacheco, Doscientos años de pintura argentina, Buenos Aires, Banco Hipotecario, vol. n. 2, p. 9-43, 2014, reprod. p. 87. Is Part Of A related resource in which the described resource is physically or logically included. Colección particular, Estados Unidos Rights Holder A person or organization owning or managing rights over the resource. Fundación Pan Klub - Museo Xul Solar Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manifiesto Creator An entity primarily responsible for making the resource Xul Solar, Alejandro, 1887-1963 Date Created Date of creation of the resource. 1927 Description An account of the resource Manifiesto, 1927 Acuarela, gouache y tinta sobre papel 29 x 25,5 cm Identifier An unambiguous reference to the resource within a given context AXS_02095 Audience Education Level A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended. Número de catálogo razonado: 0701 Type The nature or genre of the resource pinturas Format The file format, physical medium, or dimensions of the resource pintura Medium The material or physical carrier of the resource. pintura Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Firma e inscripciones a.i.d. “X./ 1927” Inscripciones de terceros Sin información Documentación MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista diap. del Museo de Bellas Artes (Svanascini) [1963]”; y papeles sueltos [01 - 05]: listado II, n. 121; listado IV, n. 18 y listado V, n. 29. MCSS, [Exposiciones 1920-1951, detalle de carpetas de obras, gastos 1949, cuadros existentes], [Buenos Aires], 1949-1966: p. 139 y 243. MCSS, [Documentos relativos a exposiciones, venta de obras, coleccionistas], 1963-1984: n. [012], [019], [020], [021], [031], [034] y [037]. MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos Aires], 1963-1984: p. 7, 12, 16, 32, 46 y 49. MCSS, [Diapositivas y movimientos de obras], [Buenos Aires], 1964-1983: “Diapositivas de Xul Solar”, p. 2 y 12; [Ventas a coleccionistas], p. 5. MCSS, [Detalle de carpetas de obras], [Buenos Aires], posterior a 1963: p. 10. MCSS, Ejemplar con correcciones manuscritas de los títulos de las obras reproducidas en Osvaldo Svanascini, Xul Solar, Buenos Aires, Ediciones Culturales Argentinas, 1962 [i.e. 1963], reprod. byn p. [24], con el título Hombres bandera, AD-FPK. Registro fotográfico histórico Diapositivas de obras realizadas por encargo de MCSS, 1967, cajas I-III y V: Caja II, n. 121; Caja V, n. 29. Anónimo, reproducción de Manifiesto, 1977, copia de época, gelatina de plata, 13,5 x 9 cm, Copias de época, FO-30/ 1 a 24, n. 15, AD-FPK. Anónimo, reproducción de Manifiesto, 1977, copia de época, gelatina de plata, 11,9 x 9 cm, Copias de época posteriores a 1963 (Musée d’Art Moderne, París, 1977), FO-24/1 a 63, n. 7, AD-FPK. Anónimo, reproducción de Manifiesto, 1977, copia de época, gelatina de plata, 9,3 x 8,4 cm, Copias de época posteriores a 1963 (Musée d’Art Moderne, París, 1977), FO-24/1 a 63, n. 31, AD-FPK. Exposiciones Homenaje a Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes, octubre de 1963, n. 24. Exposición Homenaje a Xul Solar presentada por Jorge L. Borges, Olivos (Prov. de Buenos Aires), Galería Diálogos, 2 - 22 de agosto de 1965, n. 4. [Exposición de obras de Xul Solar], Buenos Aires, casa particular del doctor Kuperman, organizada por Delia Bucich, presentada por Ricardo Mosquera [Eastman], noviembre de 1965, n. 6. Xul Solar/Pinturas, Buenos Aires, Javier Galería de Arte, 3 - 14 de junio de 1969, n. 3. Xul Solar 1887-1963, París, Musée d’Art Moderne de la Ville de Paris, 20 de octubre-27 de noviembre de 1977, n. 29, reprod. byn. Xul Solar: obras 1919/1962, Buenos Aires, Galería Rubbers, 1978, n. 29, reprod. byn. Xul Solar: A Collector’s Vision, Nueva York, Rachel Adler Gallery, 1° de mayo - 30 de junio de 1993, n. 9, reprod. Latin American Art in Miami Collections, Coral Gable, Florida, The Lowe Art Museum, University of Miami, 8 de diciembre de 1994 - 5 de febrero de 1995, n. 50, reprod. p. 55. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. SVANASCINI, Osvaldo, Xul Solar, Buenos Aires, Ediciones Culturales Argentinas, 1962 [i.e. 1963], reprod. byn [p. 24] [con el título Hombres bandera]. R.R. “Los signos del misterio”, Análisis, Buenos Aires, a. 9, n. 430, 10 al 16 de junio de 1969, reprod. byn p. 62. PERRONE, Alberto M., “Xul Solar, el mago”, Revista La Nación, Buenos Aires, n. 480, 17 de septiembre de 1978, reprod. p. 12-13. NELSON, Daniel E., “Alejandro Xul Solar”, Latin American Art, Scottsdale, vol. 3, n. 3, otoño, 1991, reprod. p. 30. Is Part Of A related resource in which the described resource is physically or logically included. Colección particular, Estados Unidos Rights Holder A person or organization owning or managing rights over the resource. Fundación Pan Klub - Museo Xul Solar Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Xul Solar, Alejandro (1887-1963) Title A name given to the resource Carpa fiesti Creator An entity primarily responsible for making the resource Xul Solar, Alejandro, 1887-1963 Date Created Date of creation of the resource. [1927] Description An account of the resource Carpa fiesti, [1927] Acuarela y gouache sobre papel 23,5 x 29 cm Identifier An unambiguous reference to the resource within a given context AXS_02094 Audience Education Level A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended. Número de catálogo razonado: 0700 Type The nature or genre of the resource pinturas Format The file format, physical medium, or dimensions of the resource pintura Medium The material or physical carrier of the resource. pintura Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Inscripciones de terceros Sin información Documentación MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos Aires], 1963-1984: p. 42. MCSS, [Diapositivas y movimientos de obras], [Buenos Aires], 1964-1983: [Ventas a coleccionistas], p. 2. Registro fotográfico histórico Anónimo, reproducción de Carpa fiesti, s.d., copia de época, gelatina de plata, 17,7 x 23,6 cm, Serie fotografía de obras, FO-23/ 1 a 4, n. 4, AD-FPK. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. TAVERNA YRIGOYEN, Jorge [i.e. Jorge López Anaya], Pintores argentinos del siglo XX. Xul Solar, Buenos Aires, CEAL, n. 27, 1980, reprod. byn p. 7. GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos Aires, Alba / Bunge y Born, 1994, n. 110, p. 144 [reproducida en espejo]. GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos Aires, Alba / Bunge y Born; Nueva York, Harry N. Abrams, Inc., Publishers, 1996, n. 110, p. 144 [reproducida en espejo]. PACHECO, Marcelo E., “De las primeras vanguardias al informalismo” en: Marcelo E. Pacheco, Doscientos años de pintura argentina, Buenos Aires, Banco Hipotecario, vol. n. 2, p. 9-43, 2014, reprod. p. 88 [reproducida en espejo]. Is Part Of A related resource in which the described resource is physically or logically included. Colección particular, Estados Unidos Rights Holder A person or organization owning or managing rights over the resource. Fundación Pan Klub - Museo Xul Solar Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Xul Solar, Alejandro (1887-1963) Title A name given to the resource Caras Creator An entity primarily responsible for making the resource Xul Solar, Alejandro, 1887-1963 Date Created Date of creation of the resource. 1927 Description An account of the resource Caras, 1927 Acuarela y tinta sobre papel montado sobre cartulina [Medidas desconocidas] Identifier An unambiguous reference to the resource within a given context AXS_02093 Audience Education Level A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended. Número de catálogo razonado: 0699 Type The nature or genre of the resource pinturas Format The file format, physical medium, or dimensions of the resource pintura Medium The material or physical carrier of the resource. pintura Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Firma e inscripciones c.i. “X. 1927” Inscripciones de terceros Sin información Documentación MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista diap. del Museo de Bellas Artes (Svanascini) [1963]”; y papeles sueltos [01 - 05]: listado III, n. 24. Registro fotográfico histórico Diapositivas de obras realizadas por encargo de MCSS, 1967, cajas I-III y V: caja III, n. 24. Observaciones El único registro conocido de la pintura es la diapositiva indicada y el listado correspondiente. Desconocemos en qué momento la viuda se desprendió de ella, pero debe haber sido entre 1964 y 1967, ya que no aparece en otros registros documentales posteriores a esos años. Is Part Of A related resource in which the described resource is physically or logically included. Localización desconocida Rights Holder A person or organization owning or managing rights over the resource. Fundación Pan Klub - Museo Xul Solar Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Xul Solar, Alejandro (1887-1963) Title A name given to the resource Dos Creator An entity primarily responsible for making the resource Xul Solar, Alejandro, 1887-1963 Date Created Date of creation of the resource. ca. 1926q Description An account of the resource Dos, ca. 1926 Acuarela y gouache sobre papel montado sobre cartulina 16 x 12 cm Identifier An unambiguous reference to the resource within a given context AXS_02092 Audience Education Level A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended. Número de catálogo razonado: 0698 Type The nature or genre of the resource pinturas Format The file format, physical medium, or dimensions of the resource pintura Medium The material or physical carrier of the resource. pintura Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Firma e inscripciones i.i. “X.” Inscripciones de terceros Sin información Documentación Inv. FPK: “1365 Dos 1926 témpera 16 x 12”. Is Part Of A related resource in which the described resource is physically or logically included. Fundación Pan Klub, Buenos Aires Rights Holder A person or organization owning or managing rights over the resource. Fundación Pan Klub - Museo Xul Solar Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Xul Solar, Alejandro (1887-1963) Title A name given to the resource Sin título Creator An entity primarily responsible for making the resource Xul Solar, Alejandro, 1887-1963 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Casas Description An account of the resource Sin título, ca. 1926 Lápices de colores sobre papel 11,1 x 14,7 cm Identifier An unambiguous reference to the resource within a given context AXS_02091b Audience Education Level A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended. Número de catálogo razonado: 0697b Type The nature or genre of the resource pinturas Format The file format, physical medium, or dimensions of the resource pintura Medium The material or physical carrier of the resource. pintura Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Inscripciones de terceros En el reverso: etiqueta pegada con inscripción “614.” [MRC]. Documentación AXS, primera idea para Sin título (697 a), en Libreta sin datar [1926?], CA-09. AD-FPK. Inv. FPK: “614 S/T. - LAPICES 11 x 14 1/2” Exposiciones Artistas modernos rioplatenses en Europa 1911/1924: la experiencia de la vanguardia, Buenos Aires, Malba - Colección Costantini, 17 de octubre de 2002 al 27 de enero de 2003, n. 82, reprod. p. 68. Is Part Of A related resource in which the described resource is physically or logically included. Fundación Pan Klub, Buenos Aires Rights Holder A person or organization owning or managing rights over the resource. Fundación Pan Klub - Museo Xul Solar Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Xul Solar, Alejandro (1887-1963) Title A name given to the resource Sin título Creator An entity primarily responsible for making the resource Xul Solar, Alejandro, 1887-1963 Date Created Date of creation of the resource. ca. 1926 Description An account of the resource Sin título, ca. 1926 Lápices de colores sobre papel 11,1 x 14,7 cm Identifier An unambiguous reference to the resource within a given context AXS_02091 Audience Education Level A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended. Número de catálogo razonado: 0697 Type The nature or genre of the resource pinturas Format The file format, physical medium, or dimensions of the resource pintura Medium The material or physical carrier of the resource. pintura Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Inscripciones de terceros En el reverso: etiqueta pegada con inscripción “614.” [MRC]. Documentación AXS, primera idea para Sin título (697 a), en Libreta sin datar [1926?], CA-09. AD-FPK. Inv. FPK: “614 S/T. - LAPICES 11 x 14 1/2” Exposiciones Artistas modernos rioplatenses en Europa 1911/1924: la experiencia de la vanguardia, Buenos Aires, Malba - Colección Costantini, 17 de octubre de 2002 al 27 de enero de 2003, n. 82, reprod. p. 68. Is Part Of A related resource in which the described resource is physically or logically included. Fundación Pan Klub, Buenos Aires Rights Holder A person or organization owning or managing rights over the resource. Fundación Pan Klub - Museo Xul Solar Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Xul Solar, Alejandro (1887-1963) Title A name given to the resource Hóspedes Creator An entity primarily responsible for making the resource Xul Solar, Alejandro, 1887-1963 Date Created Date of creation of the resource. 1926 Description An account of the resource Hóspedes, 1926 Acuarela sobre papel montado sobre cartulina 12 x 12 cm Identifier An unambiguous reference to the resource within a given context AXS_02089 Audience Education Level A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended. Número de catálogo razonado: 0695 Type The nature or genre of the resource pinturas Format The file format, physical medium, or dimensions of the resource pintura Medium The material or physical carrier of the resource. pintura Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Firma e inscripciones i.d. “X. 1926” Inscripciones de terceros Sin información Documentación Inv. FPK: “Hospedes 1926 acuarela 12 x 12”. Is Part Of A related resource in which the described resource is physically or logically included. Fundación Pan Klub, Buenos Aires Rights Holder A person or organization owning or managing rights over the resource. Fundación Pan Klub - Museo Xul Solar Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Xul Solar, Alejandro (1887-1963) Title A name given to the resource Cine-Teatro Creator An entity primarily responsible for making the resource Xul Solar, Alejandro, 1887-1963 Date Created Date of creation of the resource. 1926 Description An account of the resource Cine-Teatro, 1926 Acuarela y tinta sobre papel montado sobre cartón 16 x 21 cm Identifier An unambiguous reference to the resource within a given context AXS_02088 Audience Education Level A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended. Número de catálogo razonado: 0694 Type The nature or genre of the resource pinturas Format The file format, physical medium, or dimensions of the resource pintura Medium The material or physical carrier of the resource. pintura Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Firma e inscripciones a.i.d. "Xul" y "1926" Inscripciones de terceros En reverso, sobre el cartón: “63 CINE - TEATRO, 1926, 16 x 21, acuarela” [MCSS]; “562” [anónimo]. Documentación MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos Aires], 1963-1984: p. 53. Cine-Teatro, Carpeta de antecedentes 4, folio 02, ADFPK. Observaciones La obra cuenta con una foto-certificado de autenticidad otorgado por Natalio J. Povarché, sin datar. Is Part Of A related resource in which the described resource is physically or logically included. Colección particular, Córdoba Rights Holder A person or organization owning or managing rights over the resource. Fundación Pan Klub - Museo Xul Solar Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Xul Solar, Alejandro (1887-1963) Title A name given to the resource Cine-Teatro Creator An entity primarily responsible for making the resource Xul Solar, Alejandro, 1887-1963 Date Created Date of creation of the resource. 1926 Description An account of the resource Cine-Teatro, 1926 Acuarela y tinta sobre papel montado sobre cartón 16 x 21 cm Identifier An unambiguous reference to the resource within a given context AXS_02087 Audience Education Level A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended. Número de catálogo razonado: 0693 Type The nature or genre of the resource pinturas Format The file format, physical medium, or dimensions of the resource pintura Medium The material or physical carrier of the resource. pintura Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Firma e inscripciones a.i.d. “Xul/ 1926” Inscripciones de terceros Sin información Subastas Pintura argentina y europea, platería colonial y criolla, muebles, arañas, alfombras y demás objetos de arte, Martín Saráchaga, Buenos Aires, 2 al 5 de diciembre, 2003, lote 29, reprod, s.p. Subastas de arte argentino, latinoamericano y europeo, Arroyo Remates, Buenos Aires, 2 de noviembre, 2004, lote 73, reprod. s.p. Latin American Sale, Christie’s, Nueva York, 26 y 27 de mayo, 2010, lote 225, reprod. p. 251. Observaciones En las tres oportunidades en que la obra salió a subasta, se indicó la existencia de un certificado de autenticidad firmado por Natalio Jorge Povarché, fechado el 30 de septiembre de 2001. Is Part Of A related resource in which the described resource is physically or logically included. Localización desconocida Rights Holder A person or organization owning or managing rights over the resource. Fundación Pan Klub - Museo Xul Solar Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Xul Solar, Alejandro (1887-1963) Title A name given to the resource Drol Bau Creator An entity primarily responsible for making the resource Xul Solar, Alejandro, 1887-1963 Date Created Date of creation of the resource. [1926] Description An account of the resource Drol bau, [1926] Acuarela, lápices de colores y tinta sobre papel montado sobre cartón 16,5 x 21 cm Identifier An unambiguous reference to the resource within a given context AXS_02086 Audience Education Level A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended. Número de catálogo razonado: 0692 Type The nature or genre of the resource pinturas Format The file format, physical medium, or dimensions of the resource pintura Medium The material or physical carrier of the resource. pintura Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Firma e inscripciones e.i.i. “Xul” Inscripciones de terceros Sin información Registro fotográfico histórico Anónimo, reproducción de Drol bau, s.d., negativo byn, 4 x 5,5 cm, n. 1622, AD-FPK. Subastas Latin American Sale, Christie’s, Nueva York, 20 y 21 de noviembre, 2002, lote 8, reprod. p. 18. Observaciones Al salir a subasta en 2002 se indicó que la obra poseía un certificado de autenticidad otorgado por Natalio Jorge Povarché. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. BENDINGER, María Cecilia G., Xul Solar: relatos de los mundos superiores. Traducción del neocriollo, editor Patricia Nadler de Jenik, [2012], reprod. n. 3. Is Part Of A related resource in which the described resource is physically or logically included. Colección particular, Buenos Aires Rights Holder A person or organization owning or managing rights over the resource. Fundación Pan Klub - Museo Xul Solar Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Xul Solar, Alejandro (1887-1963) Title A name given to the resource Bau Creator An entity primarily responsible for making the resource Xul Solar, Alejandro, 1887-1963 Date Created Date of creation of the resource. 1926 Identifier An unambiguous reference to the resource within a given context AXS_2085 Audience Education Level A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended. Número de catálogo razonado: 0691 Type The nature or genre of the resource pinturas Format The file format, physical medium, or dimensions of the resource pintura Medium The material or physical carrier of the resource. pintura Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Firma e inscripciones a.i.d. “Xul”; i.d. “1926” Inscripciones de terceros Sin información Documentación MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista diap. del Museo de Bellas Artes (Svanascini) [1963]”; y papeles sueltos [01 - 05]: listado II, n. 107 y listado V, n. 23 bis. MCSS, [Exposiciones 1920-1951, detalle de carpetas de obras, gastos 1949, cuadros existentes], [Buenos Aires], 1949-1966: p. 139. MCSS, [Documentos relativos a exposiciones, venta de obras, coleccionistas], 1963-1984: n. [013] y [016]. MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos Aires], 1963-1984: p. 13 y 25. MCSS, [Diapositivas y movimientos de obras], [Buenos Aires], 1964-1983: “Diapositivas de Xul Solar”, p. 2 y 11. MCSS, [Detalle de carpetas de obras], [Buenos Aires], posterior a 1963: p. 14. Inv. FPK: “1113 Bau 1926 acuarela 15,5 x 21”. Registro fotográfico histórico Diapositivas de obras realizadas por encargo de MCSS, 1967, cajas I-III y V: caja II, n. 107 y caja V, n. 23 bis. Exposiciones Exposición Homenaje a Xul Solar presentada por Jorge L. Borges, Olivos (Prov. de Buenos Aires), Galería Diálogos, 2 - 22 de agosto de 1965, n. 15. [Exposición de obras de Xul Solar], Buenos Aires, casa particular del doctor Kuperman, organizada por Delia Bucich, presentada por Ricardo Mosquera [Eastman], noviembre de 1965, n. 5. Xul Solar: obras 1915/1962, Santa Fe, Museo Provincial de Bellas Artes Rosa Galisteo de Rodríguez, noviembre de 1967 [fuera de catálogo]. Xul Solar: the Architectures, Londres, Courtauld Institute Galleries, 1994, n. 31, reprod. tapa. Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes, septiembre de 1998, reprod. p. 60. Xul Solar, Madrid, Museo Nacional Centro de Arte Reina Sofía, 2002, n. 57, reprod. p. 129. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos Aires, Alba/Bunge y Born, 1994, n. 109, reprod. p. 143. GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos Aires, Alba / Bunge y Born; Nueva York, Harry N. Abrams, Inc., Publishers, 1996, n. 109, reprod. p. 143. LÓPEZ ANAYA, Jorge, Xul Solar: una utopía espiritualista, Buenos Aires, Fundación Pan Klub - Museo Xul Solar, 2002, n. 91, reprod. p. 113. LÓPEZ ANAYA, Jorge, Xul Solar: A Spiritualistic Utopia, Buenos Aires, Pan Klub Foundation - Museo Xul Solar, 2002, n. 91, reprod. p. 113. LÓPEZ ANAYA, Jorge, “Un pintor visionario”, Lápiz, Madrid, a. 21, n. 181, marzo de 2002, p. 44-55, reprod. p. [53]. 289 Is Part Of A related resource in which the described resource is physically or logically included. Colección particular, Buenos Aires Rights Holder A person or organization owning or managing rights over the resource. Fundación Pan Klub - Museo Xul Solar Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Xul Solar, Alejandro (1887-1963) Title A name given to the resource Bau Creator An entity primarily responsible for making the resource Xul Solar, Alejandro, 1887-1963 Date Created Date of creation of the resource. 1926 Description An account of the resource Bau, 1926 Acuarela y tinta sobre papel 15,6 x 20,6 cm Identifier An unambiguous reference to the resource within a given context AXS_02080 Audience Education Level A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended. Número de catálogo razonado: 0687 Type The nature or genre of the resource pinturas Format The file format, physical medium, or dimensions of the resource pintura Medium The material or physical carrier of the resource. pintura Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Firma e inscripciones a.i.d. “Xul”; i.d. “1926” Inscripciones de terceros Sin información Documentación MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista diap. del Museo de Bellas Artes (Svanascini) [1963]”; y papeles sueltos [01 - 05]: listado II, n. 107 y listado V, n. 23 bis. MCSS, [Exposiciones 1920-1951, detalle de carpetas de obras, gastos 1949, cuadros existentes], [Buenos Aires], 1949-1966: p. 139. MCSS, [Documentos relativos a exposiciones, venta de obras, coleccionistas], 1963-1984: n. [013] y [016]. MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos Aires], 1963-1984: p. 13 y 25. MCSS, [Diapositivas y movimientos de obras], [Buenos Aires], 1964-1983: “Diapositivas de Xul Solar”, p. 2 y 11. MCSS, [Detalle de carpetas de obras], [Buenos Aires], posterior a 1963: p. 14. Inv. FPK: “1113 Bau 1926 acuarela 15,5 x 21”. Registro fotográfico histórico Diapositivas de obras realizadas por encargo de MCSS, 1967, cajas I-III y V: caja II, n. 107 y caja V, n. 23 bis. Exposiciones Exposición Homenaje a Xul Solar presentada por Jorge L. Borges, Olivos (Prov. de Buenos Aires), Galería Diálogos, 2 - 22 de agosto de 1965, n. 15. [Exposición de obras de Xul Solar], Buenos Aires, casa particular del doctor Kuperman, organizada por Delia Bucich, presentada por Ricardo Mosquera [Eastman], noviembre de 1965, n. 5. Xul Solar: obras 1915/1962, Santa Fe, Museo Provincial de Bellas Artes Rosa Galisteo de Rodríguez, noviembre de 1967 [fuera de catálogo]. Xul Solar: the Architectures, Londres, Courtauld Institute Galleries, 1994, n. 31, reprod. tapa. Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes, septiembre de 1998, reprod. p. 60. Xul Solar, Madrid, Museo Nacional Centro de Arte Reina Sofía, 2002, n. 57, reprod. p. 129. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos Aires, Alba/Bunge y Born, 1994, n. 109, reprod. p. 143. GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos Aires, Alba / Bunge y Born; Nueva York, Harry N. Abrams, Inc., Publishers, 1996, n. 109, reprod. p. 143. LÓPEZ ANAYA, Jorge, Xul Solar: una utopía espiritualista, Buenos Aires, Fundación Pan Klub - Museo Xul Solar, 2002, n. 91, reprod. p. 113. LÓPEZ ANAYA, Jorge, Xul Solar: A Spiritualistic Utopia, Buenos Aires, Pan Klub Foundation - Museo Xul Solar, 2002, n. 91, reprod. p. 113. LÓPEZ ANAYA, Jorge, “Un pintor visionario”, Lápiz, Madrid, a. 21, n. 181, marzo de 2002, p. 44-55, reprod. p. [53]. Is Part Of A related resource in which the described resource is physically or logically included. Colección particular, Buenos Aires Rights Holder A person or organization owning or managing rights over the resource. Fundación Pan Klub - Museo Xul Solar